Adebayo Oke-Lawal of Orange Culture
CategoriesSustainable News

Fifty architects and designers you need to know on Earth Day

To celebrate Earth Day we’ve compiled a list of 50 people who are pushing the boundaries of sustainable architecture and design.

Architects and designers have a key role to play in reducing carbon emissions, pollution and waste while protecting biodiversity.

Here are 50 individuals and studios who are doing pioneering work, ranging from architects exploring timber construction to designers thinking radically about circularity and scientists developing new low-carbon materials.


Adebayo Oke-Lawal of Orange Culture

Adebayo Oke-Lawal, founder of Orange Culture

Adebayo Oke-Lawal is a Nigerian fashion designer. His label, Orange Culture, strives to minimise waste and sources 90 per cent of its supply chain in Nigeria.

He was featured in Circular Design for Fashion, a book aimed at helping the fashion industry become more circular published by the Ellen MacArthur Foundation.

Find out more about Adebayo Oke-Lawal and Orange Culture ›


Alexandra Hagen is CEO of White Arkitekter

Alexandra Hagen, CEO of White Arkitekter

As CEO of Swedish architecture firm White Arkitekter, Alexandra Hagen is an industry leader in the shift towards more sustainable, zero-carbon buildings.

The studio has built up an impressive portfolio of structures that go beyond net-zero to carbon negative, including the Sara Kulturhus Centre, which is the world’s second-tallest wooden tower and was featured in the UK Green Building Council’s list of 17 exemplary sustainable projects compiled for the COP26 climate summit.

White Arkitekter has pledged to design only carbon-neutral or carbon-negative buildings by 2030.

Find out more about Alexandra Hagen and White Arkitekter ›


Anab Jain and Jon Ardern

Anab Jain and Jon Ardern, co-founders of Superflux

Anab Jain and Jon Ardern’s design and film studio Superflux was born in 2009 out of a desire to explore the intersection between the environment, technology and culture.

Their recent installation at the Museum of Applied Arts in Vienna, which aimed to raise awareness about climate change, featured 415 fire-damaged pine trees surrounding an oasis of living plants and water.

Last year the pair took part in the Dezeen 15 virtual festival, proposing a new framework for caring for the planet.

Find out more about Superflux ›


Photograph of Andrew Waugh

Andrew Waugh, co-founder of Waugh Thistleton Architects

Andrew Waugh has long been a vocal advocate for building more sustainably and has been an outspoken critic of existing UK regulations relating to environmental construction.

As part of his role in the Architects Declare pressure group, Waugh co-authored a recent report setting out ways to reduce carbon emissions associated with the built environment.

His own practice, London-based Waugh Thistleton Architects, is known for the extensive use of timber in its projects. A recent office building in London is designed to be fully demountable so it can be taken apart and its materials re-used at the end of its life.

Find out more about Andrew Waugh ›


Dezeen Awards 2021 judge Arthur Huang

Arthur Huang, founder of Miniwiz

Taiwanese structural engineer and architect Arthur Huang has been developing novel recycling techniques and machinery for nearly 20 years with his company Miniwiz.

After helping major brands such as Nike to create installations, packaging and other products from post-consumer waste materials, the business is now focused on democratising the recycling process and making it more easily accessible to everyday consumers.

For this purpose, Miniwiz has created a mobile recycling plant called Trashpresso, which received the World Design Impact Prize in 2021 and condenses the same recycling line that normally takes over entire industrial plants into two mobile units about the size of a refrigerator.

Find out more about Arthur Huang ›


Babette Porcelijn

Babette Porcelijn, designer and writer

Babette Porcelijn is a Dutch designer, author and speaker with an unusually broad range of knowledge about environmental issues and a strong belief in designers’ potential to make a difference.

She co-wrote The Hidden Impact, a book that lifts the lid on the lesser-known damage that Western economies and lifestyles continue to wreak on the planet. It contends that industrial products created with the help of designers, like mobile phones, are the biggest contributors to climate change.

Find out more about Babette Porcelijn ›


Portrait of Bethany Williams

Bethany Williams, fashion designer

Bethany Williams is a fashion designer, humanitarian and artist. She graduated from Brighton University with a degree in Critical Fine Art before going on to study and receive a master’s from the London College of Fashion in Menswear.

Williams launched her eponymous brand in 2017 and has since strived to address social and environmental issues. She is best known for using and repurposing waste and scraps within her works as well as collaborating with local grassroots programs to convey how fashion and design can be inclusive.

An exhibition at the Design Museum recently opened showcasing Williams’ commitment to sustainability.

Find out more about Bethany Williams ›


Charlotte McCurdy portrait

Charlotte McCurdy, designer and researcher

New York designer Charlotte McCurdy takes providing solutions to the problems caused by climate change as the starting point for her work.

The fashion designer uses biomaterials and carbon sequestration technology in her products such as a dress adorned with algae sequins and a raincoat made from algae bioplastic.

Find out more about Charlotte McCurdy ›


Cyrill Gutsch on the circular economy

Cyrill Gutsch, founder of Parley for the Oceans

Cyrill Gutsch is a leading voice on the health of the world’s oceans and in calls for the fashion industry to tackle ocean pollution.

His company, Parley for the Oceans, was one of the first to promote the repurposing of ocean plastic, using it to make trainers, sports kits, clothing, trophies and even a floating tennis court.

In a 2020 interview with Dezeen, he warned that the circular economy “will never work with the materials we have” and requires plastic to be replaced with biofabricated substances.

Find out more about Cyrill Gutsch ›


Cooking Sections

Daniel Fernández Pascual and Alon Schwabe, Cooking Sections

Art duo Cooking Sections investigate the environmental impact of food through architecture and design. Their work includes Climavore, an ongoing project about how we can change what we eat to respond to climate change, which was initiated in 2015 and nominated for the 2021 Turner Prize.

“Food is one of the main drivers and forces that is shaping the ecology of the planet, within and around us,” Cooking Sections co-founders Daniel Fernández Pascual and Alon Schwabe explained in a recent interview with Dezeen.

The pair also created a zero-water garden in Sharjah to demonstrate how desert plants can be used as an alternative to water-hungry plants in arid cities.

Find out more about Cooking Sections ›


Daniel Mitchell, creative director of Potato Head

Daniel Mitchell, founder of Space Available

UK-born architect and designer Daniel Mitchell now lives in Bali, Indonesia, where was formerly creative director of the hospitality brand Potato Head and has since launched multidisciplinary studio Space Available.

While at Potato Head he introduced a move towards zero waste as part of embracing circular economy principles. Notable projects he worked on include the Katamama hotel, which uses local crafts and materials. In 2020, Mitchell took part in a live talk hosted by Dezeen on how art and architecture came together for the project.

Space Available consults brands on circularity and produces its design own products made from waste materials.

Find out more about Space Available ›


Portrait of Darshil Shah

Darshil Shah, senior researcher at the University of Cambridge

Dr Darshil Shah is a senior researcher within the Centre for Natural Material Innovation at Cambridge University, where he works to develop new biomaterials.

He is a leading expert on low-carbon construction materials, particularly hemp, and how they can be used in different industries, including construction, transport, healthcare and wind energy.

Last summer, he told Dezeen that hemp is “more effective than trees” at sequestering carbon from the atmosphere.

Find out more about Darshil Shah ›


Architect Edward Mazria

Edward Mazria, founder of Architecture 2030

Edward Mazria is an internationally recognised architect, author and researcher who has dedicated the past four decades of his career to advocating for sustainable architecture.

He is best known for founding the pro-bono organisation Architecture 2030, which exists to help transform the built environment from a contributor to a solution in the climate emergency. As part of Architecture 2030, he has launched initiatives such as the 2030 Challenge and addressed world leaders at events including the 2015 United Nations Climate Change Conference.

In 2021, the AIA awarded Mazria its coveted Gold Medal prize for his “unwavering voice and leadership” in the fight against climate change. Last August, he set out three steps for architects to reach zero-carbon through their work in a piece for Dezeen.

Find out more about Edward Mazria ›


Ellen MacArthur of circular economy charity Ellen MacArthur Foundation, pictured in front of a yellow wall

Ellen MacArthur, former sailor and founder of the Ellen MacArthur Foundation

Ellen MacArthur became one of the world’s preeminent advocates for the circular economy after the former round-the-world sailor retired from yachting to launch the Ellen MacArthur Foundation in 2010.

Since then, the charity has partnered with some of the biggest brands in the world to accelerate the shift towards a circular economy and published a number of influential reports on plastic pollution and textile waste, alongside practical guides on how to design products and garments in a more circular way.

Among the foundation’s widely publicised findings is the claim that there could be more plastic than fish in the sea by 2050, which served as a rallying cry for anti-pollution activists around the world.

Find out more about Ellen MacArthur ›


Eric Klarenbeek interview on furniture made from 3D-printed fungus

Eric Klarenbeek, co-founder of Studio Klarenbeek & Dros

Dutch designer Eric Klarenbeek has pioneered ways of using bioplastics made from mycelium and algae in combination with 3D printing, as an alternative to materials derived from fossil fuels.

Klarenbeek’s projects include a 3D-printed chair made out of living fungus that continues to grow, strengthening the product over time. He believes the method could eventually be used to make larger, more complex structures such as houses.

His studio, run in partnership with fellow Dutch designer Maartje Dros, was also a collaborator on a pavilion built with panels grown from mushroom mycelium.

Find out more about Eric Klarenbeek ›


Gabriela Hearst portrait

Gabriela Hearst, creative director of Chloé

Born in Uruguay at her family’s remote ranch, Gabriela Hearst is a fashion designer and creative director of luxury fashion house Chloé, as well as being founder of her own eponymous label.

Hearst is best known for her forward-thinking approach to sustainability and slow-growth business ethos.

Since 2015, Hearst has committed to using deadstock fabrics, non-virgin materials and becoming plastic-free. As creative director at Chloé, Hearst was instrumental in helping the company secure a B Corp environmental certification, becoming the first luxury brand to achieve that status.

Find out more about Gabriela Hearst ›


Helene Chartier portrait

Hélène Chartier, director of urban planning and design at C40 Cities

Hélène Chartier is the director of urban planning and design for C40 Cities – a network that coordinates the decarbonisation strategies of nearly 100 of the world’s largest cities, which together make up one-quarter of the global economy.

Through projects such as the Reinventing Cities competition, she brings together architects and planners with city leaders to encourage the widespread adoption of zero-carbon building strategies.

Before joining C40, Chartier was responsible for advising visionary Paris mayor Anne Hidalgo, who has made headlines for her approach to sustainable urban regeneration.

Find out more about Hélène Chartier ›


Portrait of Henna Burney
Photo is by Iwan Baan

Henna Burney, product designer at Atelier Luma

Henna Burney is a Columbian product designer based at Atelier Luma, a design and research laboratory in Arles, France.

She specialises in developing biomaterials and discovering new purposes for low-value materials that are often overlooked. Most recently, this saw Burney and her design partner Kalijn Sibbel create cladding made from salt, which is installed inside Frank Gehry’s tower for the Luma Foundation.

Other young designers at Atelier Luma also made biomaterial interior finishes for the Luma Foundation tower, such as algae tiles for the bathrooms and acoustic panels made from sunflower stems.

Find out more about Henna Burney ›


Henrik Taudorf Lorenson

Henrik Taudorf Lorensen, founder of Takt

With Takt, trained physicist Henrik Taudorf Lorenson has built one of the most carbon-conscious furniture brands on the market today.

All of its products are EU Ecolabelled and made from FSC-certified wood in order to reduce their carbon footprint, which is displayed publicly on the Takt website.

The company already offsets all emissions from its products by investing in certified carbon removal projects and aims to be fully net-zero in the next 2 years.

Find out more about Takt ›


Dezeen Awards 2021 judge Hester van Dijk

Hester van Dijk, co-founder of Overtreders W

Hester van Dijk is a co-founder and principal of Overtreders W, an Amsterdam-based spatial design studio that specialises in zero-waste architecture.

Its projects include the award-winning People’s Pavilion at the 2017 Dutch Design Week, made entirely from borrowed materials that were reused after the building was dismantled, as well as a zero-waste temporary restaurant and another reusable pavilion.

Van Dijk also founded Pretty Plastic, a startup that produces recyclable shingles from plastic waste that it claims are the first 100-per-cent-recycled cladding material.

Find out more about Overtreders W ›


Iris van Herpen portrait

Iris van Herpen, fashion designer

Known for her experimental approach to fashion, Iris van Herpen’s couture collections often focus on the qualities of water and air, with one informed by the cyclical processes of planet Earth.

As well as exploring natural biomimetic processes of the planet, many of Van Herpen’s collections are made from unusual materials such as leather alternative mycelium.

In 2020, she sat down with Dezeen for a series of three exclusive video interviews to discuss her work.

Find out more about Iris van Herpen ›


Jalila Essaidi portrait

Jalila Essaïdi, CEO of Inspidere BV

Jalila Essaïdi is a Dutch artist and inventor based in Eindhoven who specialises in bio-based materials.

She is the chief executive of biotechnology company Inspidere BV and the founder of the BioArt Laboratories foundation, which provides entrepreneurs with access to biotech labs.

Among her most notable projects is a fashion collection made from recycled cow dung, which simultaneously addressed the harmful global manure surplus and the potential to turn waste into a useful material.

Find out more about Jalila Essaïdi ›


Julia Watson

Julia Watson, designer and author

Designer and environmental activist Julia Watson is an expert in nature-based methods of dealing with the effects of climate change.

In her groundbreaking book, “Lo-Tek: Design by Radical Indigenism”, she explored how solutions to environmental issues could be found in the existing climate-resilient technologies of indigenous and traditional communities.

Watson’s eponymous studio helps find creative ways for businesses and projects to become more sustainable and symbiotic with nature.

Find out more about Julia Watson ›


Cave Bureau portrait

Kabage Karanja and Stella Mutegi, co-founders of Cave Bureau

Kabage Karanja and Stella Mutegi are the co-founders of Cave Bureau, a Kenyan architecture and research studio focused on the relationship between buildings, infrastructure and nature.

Their work particularly tries to reconcile traditional cultures with present-day issues, such as sustainability. For Dezeen 15, Cave Bureau proposed replacing major roads in Nairobi with naturalistic “cow corridor” for Maasai people.

Find out more about Cave Bureau ›


Katie Treggiden
Author Katie Treggiden

Katie Treggiden, writer and speaker

Katie Treggiden is an English writer, podcaster and speaker known for championing circular approaches to design. Her fifth, most recent book, “Wasted: When Trash Becomes Treasure”, explores how waste materials can be upcycled using craft techniques.

She is also the founder and director of Making Design Circular, a membership community for designers seeking to make their creations more sustainable, and a Dezeen Awards judge.

Find out more about Katie Treggiden ›


Lena Pripp-Kovac IKEA 2030 circular economy

Lena Pripp-Kovac, chief sustainability officer at IKEA

Lena Pripp-Kovac is leading IKEA’s drive to become circular and climate positive by 2030, with all its products set to be made from renewable or recycled materials and able to be reused, refurbished or recycled by that date.

The giant Swedish retailer is the highest-profile corporation to have made a commitment to circularity. In a 2019 interview with Dezeen, Pripp-Kovac described the ambition as a “change of our total business”.

Find out more about IKEA ›


German artist and activist Liina Klauss

Liina Klauss, artist

Liina Klauss is a German artist based in Hong Kong and Bali. Klauss describes herself as an “artivist and beach curator” and creates environmentally-centred artworks and installations from waste found along the coast.

Klauss’ practice came as a result of working in the fashion industry and witnessing the effects and reality of mass production and over-consumption. Her work aims to help viewers visualise crises such as pollution and prompt discussion.

She previously collaborated with Daniel Mitchell (see above) on the Katamama hotel in Bali, celebrated for its use of local crafts and materials, and appeared alongside him on a panel for a Dezeen talk about the project.

Find out more about Liina Klauss ›


Biobased Creations CEO Lucas De Man

Lucas De Man, CEO of Biobased Creations

Lucas De Man, is an actor, director and TV presenter, as well as founder and CEO of Dutch company Biobased Creations.

Biobased Creations is leading the way in using biomaterials in its installations and events spaces. Noteworthy projects by the studio include a pavilion constructed with panels grown from mushroom mycelium and a show home built using 100 different plant-based or natural materials including seaweed, vegetable fibres and sewage.

In a 2021 interview with Dezeen, De Man laid out his belief that buildings could “definitely” soon be made exclusively from plant-based products.

Find out more about Biobased Creations ›


Marco Vermeulen Dutch housing timber

Marco Vermeulen, founder of Studio Marco Vermeulen

Marco Vermeulen is a Dutch architect and founder of his namesake design office Studio Marco Vermeulen. Vermeulen is known for his use of timber and raw materials to create sustainable buildings as well as his research into sustainable forestry and how it can be used to form a circular approach to construction.

Studio Marco Vermeulen has created many works that address sustainability issues and demonstrate the potential of timber in architecture, including a timber pavilion for Dutch Design Week 2019 and a design for a pair of cross-laminated timber skyscrapers.

Find out more about Studio Marco Vermeulen ›


Marie and Annica Eklund, co-founders of Bolon

Sisters Marie and Annica Eklund have headed Swedish flooring company Bolon since 2003. The family firm has been recycling vinyl and textile offcuts into woven rag rugs for over 70 years, but under their stewardship it has transformed into a global brand.

Describing their company as championing circularity, the pair have invested in a vinyl recycling plant for its factory in Sweden.

In 2017, Dezeen ran an exclusive video series with the Eklund sisters exploring Bolon’s history of sustainable design and technology.

Find out more about Bolon ›


Marie Cudennec Carlisle of Goldfinger

Marie Cudennec Carlisle, CEO and co-founder of Goldfinger

Marie Cudennec Carlisle accredits her affection for nature to her upbringing in rural Hong Kong. She co-founded her studio, Goldfinger, in 2017 alongside Oliver Waddington-Ball and continues to lead the firm as CEO.

Goldfinger is a social enterprise that makes furniture using only recycled wood – but rather than a “shabby chic” aesthetic it intends for its pieces to be high-end and long-lasting.

“It’s about creating beautiful objects that don’t look recycled,” Cudennec Carlisle told Dezeen in an interview. “I want someone to say, ‘I want that table’, even if they are not interested in people or planet. By buying it, they are supporting the social and environmental benefits.”

Find out more about Goldfinger ›


Marina Tabassum Soane Medal for architecture

Marina Tabassum, founder of Marina Tabassum Architects

Marina Tabassum is a Bangladeshi architect who works exclusively in her home country, specialising in buildings constructed from local materials and designed to improve the lives of low-income communities.

Her Khudi Bari modular houses are an eminent example of climate-resilient architecture, able to be easily moved to escape flooding and with elevated sleeping space to avoid the water.

She was recently awarded the Soane Medeal for architecture, with the jury remarking: “All her work is underpinned by a focus on sustainability and Tabassum is truly leading the conversation about the ways in which architecture, people and planet interact.”

Find out more about Marina Tabassum ›


Dezeen Awards 2022 Judge Marjan van Aubel

Marjan van Aubel, designer

Marjan van Aubel earned a place on this list through her innovative work proving the varied potential of solar power.

The young Dutch designer has developed ingenious small products like a table with a solar panel in its surface for charging gadgets, as well as large installations like the vast solar panel skylight created for the Netherlands pavilion at the 2020 Dubai Expo, intended to show that solar can be beautiful.

Van Aubel is also the co-founder of The Solar Biennale, which will take place for the first time this year in Rotterdam.

Find out more about Marjan van Aubel ›


Portrait of Michael Green

Michael Green, founder of Michael Green Architecture

Canadian architect Michael Green is at the forefront of mass timber innovation in North America and the world. He has authored two books on the subject and delivered a TED Talk titled “Why we should build wooden skyscrapers”.

His eponymous studio designed T3, which was the largest mass timber building in the United States when it was completed in 2016. It is now working on a timber office building in New Jersey nearly twice the size of T3.

Find out more about Michael Green Architecture ›


Michael Pawlyn portrait

Michael Pawlyn, co-founder of Architects Declare

Michael Pawlyn is an architect who specialises in the concepts of biomimicry and regenerative design that is beneficial for the planet, humans and other species.

He carries out much of his work with Exploration Architecture, the studio that he founded in 2007. One of its most notable projects is The Sahara Forest Project in Qatar – a seawater-cooled greenhouse that replicates the physiology of a beetle to create freshwater and grow crops within the hostile landscape.

In 2019, Pawlyn also co-initiated Architects Declare, a network of architecture studios that has pledged to help tackle the climate and biodiversity crises.

Find out more about Michael Pawlyn ›


Design procurement consultancy Dodds & Shute founders

Nick Shute and Stefan Dodds, co-founders of Dodds & Shute

Nick Shute and Stefan Dodds are co-founders of London design consultancy and procurement firm Dodds & Shute, which has a track record in convincing clients to go for sustainable options.

Together, they have made the firm a case study for positive change in the furniture industry, developing a method of calculating the carbon footprint of every Dodds & Shute project and then mitigating for this impact.

Dodds & Shute also devised and conducted an environmental audit of furniture brands, warning that the sector is “turning a blind eye” to climate issues.

Find out more about Dodds & Shute ›


Dezeen Awards 2020 judge Nienke Hoogvliet

Nienke Hoogvliet, designer

A young Dutch designer who is leading in the use of biomaterials and changing perspectives on environmental problems in the textile industry, Nienke Hoogvliet founded her studio for material research and design in 2013.

Hoogvliet’s projects include bowls and tables made from waste toilet paper and a furniture collection made from seaweed and algae.

In 2019, she appeared on a panel at the Dezeen Day conference where she urged an end to the production of plastics.

Find out more about Nienke Hoogvliet ›


Portrait of Nina-Marie Lister

Nina-Marie Lister, professor of Urban & Regional Planning at Ryerson University

Nina-Marie Lister is an ecological designer and planner and an academic at Ryerson University in Toronto, where she founded the Ecological Design Lab.

In 2021, she was awarded the Margolese National Design for Living Prize for her work, which focuses on how urban landscapes can be reimagined to foster biodiversity and climate resilience as well as prioritising human wellbeing. In November, she took part in a Dezeen talk on the relationship between design and activism.

Find out more about Nina-Marie Lister ›


Pierre Paslier and Rodrigo Garcia

Pierre Paslier and Rodrigo Garcia Gonzalez, founders of Notpla

Pierre Paslier and Rodrigo Garcia Gonzalez founded Notpla in 2014 while studying Innovation Design Engineering – a master’s programme run jointly by the Royal College of Art and Imperial College London.

Notpla is a shortening of “not plastic”, and it develops materials designed “to make packaging disappear”.

The Dezeen Award-nominated studio creates biodegradable substances from seaweed and plants, including edible sachets that can hold condiments and paper made with seaweed by-products.

Find out more about Notpla ›


Dezeen Awards judge Richard Hutten

Richard Hutten, designer

Richard Hutten is an influential designer from the Netherlands who creates furniture, products and interiors and is known for his playful, colourful style.

He is also a major proponent of circular design, warning in 2019 that brands that fail to embrace the circular economy will go out of business and describing plastic as “the cancer of our planet”.

Hutten’s recent projects include the creation of 27,000 airport chairs for Amsterdam’s Schiphol airport made entirely from recycled, recyclable or biodegradable materials, which he claimed reduced their carbon impact by 95 per cent relative to comparable products.

Find out more about Richard Hutten ›


Sarah Broadstock

Sarah Broadstock, architect at Studio Bark

Sarah Broadstock is one of seven architects who make up Studio Bark, a young London studio pioneering environmentally-conscious architecture.

With the studio, she has designed a biodegradable building made with cork and a modular construction system that encourages people to self-build and has been used as “protest architecture” by Extinction Rebellion.

While practising as an architect, Broadstock is also on the RIBA Guerilla Tactics steering group and is an active member of the Architects Climate Action Network.

Find out more about Studio Bark ›


Portrait of designer Sebastian Cox

Sebastian Cox, furniture designer

British furniture designer Sebastian Cox is a leader in using locally grown timber to make his products, as well as eliminating the carbon footprint of his business.

In a 2021 interview with Dezeen, he declared that his workshop is “already carbon negative by some long stretch” thanks to sourcing wood from a forest that is never cut down faster than it regenerates.

Cox has also urged designers to understand how the carbon cycle could be used as a resource to help improve sustainability.

Find out more about Sebastian Cox ›


Portrait of Maria Smith of Buro Happold

Smith Mordak, director of sustainability at Buro Happold

As the director of sustainability at engineering firm Buro Happold and founder of award-winning architecture practices Interrobang and Studio Weave, Smith Mordak works across disciplines to decarbonise the built environment.

They engage directly with policymakers to affect broader systemic changes beyond their own projects, acting as design advocate to London mayor Sadiq Khan as well as editing the landmark Built for the Environment Report released by RIBA and Architects Declare ahead of the COP 26 climate conference last year.

In their personal life, Mordak declared themselves carbon neutral in 2020 after slashing their footprint by giving up air travel and becoming vegan.

Find out more about Smith Mordak ›


Sophie Thomas

Sophie Thomas, partner at Thomas.Matthews

Sophie Thomas is a British designer and environmentalist, who co-founded the London sustainable communication-design studio Thomas.Matthews.

Through various projects and initiatives, such as The Great Recovery, a pioneering project that explored the circular potential of different materials, Thomas has become a leading voice in the discussion about how organisations can reduce their carbon impacts and the role for designers.

She previously wrote a list of 10 steps for designers seeking to reduce the emissions caused by their products for Dezeen, as well as auditing the carbon impact of our Dezeen Day conference in 2019.

Find out more about Sophie Thomas ›


Dezeen Awards 2022 judge Stefano Boeri

Stefano Boeri, founder of Stefano Boeri Architetti

Stefano Boeri is an Italian architect known for spearheading Vertical Forests – a building concept where the facades of towers are covered with plants to encourage biodiversity in urban areas.

Boeri has masterminded Vertical Forests all over the world, including Antwerp’s Palazzo Verde, a social housing tower with 10,000 plants in Eindhoven and an apartment complex in China.

The architect is also responsible for Milan’s Forestami project, which plans to plant “one tree for every inhabitant” in the city, and has recently authored a book called “Green Obsession: Trees Towards Cities, Humans Towards Forests”, launched with a talk for Dezeen.

Find out more about Stefano Boeri ›


"Designers aren't taking responsibility" says Stella McCartney in Dezeen's exclusive interview

Stella McCartney, fashion designer

Stella McCartney is a British fashion designer and founder of her eponymous luxury fashion house, which centres on sustainable design and an ethical approach to fashion.

Under McCartney’s direction the house has pioneered use of sustainable material alternatives, developing clothing from mycelium and a vegan, spiderweb-like silk. In 2021, McCartney joined world leaders as the fashion industry’s representative at the G7 summit.

In a 2018 interview with Dezeen, she called for “new laws on designers” to force them to take responsibility for the sustainability of their products.

Find out more about Stella McCartney ›


Dezeen Awards 2021 judge Sumayya Vally

Sumayya Vally, founder of Counterspace

Sumayya Vally is a South African architect whose work as the head of the Johannesburg-based studio Counterspace is strongly focused on supporting communities and explores issues such as education, migration and ethnicity as well as sustainability.

Counterspace designed last year’s Serpentine Pavilion out of timber and other biomaterials. Construction consultant AECOM declared the structure carbon negative, claiming it removed 31 tonnes of carbon from the atmosphere.

Find out more about Sumayya Vally ›


Portrait of Thomas Rau
Photo is by Jaap Vork

Thomas Rau, founder of RAU Architects

Through his Amsterdam-based studio RAU Architects, Thomas Rau is an industry leader in reversible architecture. This involves designing buildings to be taken apart at the end of their lives so their materials can be reused.

Examples include an office building for Triodos Bank with a timber structure that the practice claims is “the first large-scale 100 per cent wooden, remountable office building”.

Find out more about RAU Architects ›


Formex Nova nominee Vadis Steinarsdottir

Valdís Steinarsdóttir, designer

Independent Icelandic designer Valdís Steinarsdóttir creates provocative products intended to show how recycled organic materials could replace synthetics to reduce waste and emissions.

Her projects include vest tops made from moulded jelly and dissolvable food packaging crafted from animal skin taken as meat industry by-products.

Find out more about Valdís Steinarsdóttir ›


Portrait of Yasmeen Lari

Yasmeen Lari, architect and founder of the Heritage Foundation of Pakistan

After abandoning a career designing glitzy commercial buildings, architect Yasmeen Lari has devoted her life to creating socially and environmentally sustainable architecture that benefits disadvantaged people.

She is also the founder of the non-profit organisation Heritage Foundation of Pakistan, through which she has built thousands of low-cost homes with low-carbon materials.

In her contribution to Dezeen 15, Lari, who was the first Pakistani woman to qualify as an architect, explained her philosophy of “barefoot social architecture”, which treads lightly on the planet by prioritising traditional construction techniques and materials such as mud and bamboo.

Find out more about Yasmeen Lari ›

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Reference

People to know on Earth Day
CategoriesSustainable News

Dezeen Agenda features architects and designers doing sustainable work

People to know on Earth Day

The latest edition of our weekly Dezeen Agenda newsletter features architects and designers who are pushing the boundaries of sustainable design. Subscribe to Dezeen Agenda now!

Architects and designers have a key role to play in reducing carbon emissions, pollution and waste.

In celebration of Earth Day, which falls on 22 April every year, we compiled a list of 50 individuals and studios that are doing pioneering work – from architects exploring timber construction to designers thinking radically about circularity.

City Hall building in Kharkiv
Norman Foster “to assemble the best minds” to rebuild Ukrainian city of Kharkiv

Other stories in this week’s newsletter include Norman Foster’s plan for the “rehabilitation” of Kharkiv, Thomas Heatherwick’s tree-covered sculpture design for Buckingham Palace and an exclusive interview with British artist duo Langlands & Bell.

Dezeen Agenda

Dezeen Agenda is a curated newsletter sent every Tuesday containing the most important news highlights from Dezeen. Read the latest edition of Dezeen Agenda or subscribe here.

You can also subscribe to Dezeen Debate, which is sent every Thursday and contains a curated selection of highlights from the week, as well as Dezeen Daily, our daily bulletin that contains every story published in the preceding 24 hours on Dezeen.

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Architects: Here's How to Supercharge Your Hybrid Workflow
CategoriesArchitecture

Architects: Here’s How to Supercharge Your Hybrid Workflow

Architizer Journal is reader-supported. When you buy through links on our site, we may earn an affiliate commission. Learn more.

As remote work continues to dominate the workplace landscape, tools and devices designed to improve the virtual experience are becoming increasingly important and popular amongst designers. Indeed, most firms in the United States are offering hybrid work models to their employees, a potentially revolutionary change that certainly transforms the design profession, where office culture and collaborative processes are integral to the success of many projects.

While working from home offers numerous benefits and perspectives, the office atmosphere is hard to replicate and often missed. Thankfully Owl Labs has developed a new and improved technology to facilitate collaborative work from a distance. The recently-launched Meeting Owl 3 multitasks as a 360° camera, microphone and speaker device that elevates the video conference experience, fosters connectivity and improves overall productivity.

Learn more and shop >

Meeting Owl 3 integrates with the most used conferencing platforms today, such as Zoom, Google Meet, Microsoft Teams and GoToMeeting among others. Its compatibility is ideal for designers whose work is conducted over multiple conferencing platforms. Owl Labs has integrated their Owl Intelligence System into the device, which consists of AI-driven software that regularly upgrades to make collaboration as immersive, inclusive and reliable as possible.

The output resolution is 1080p HD, with a field view of 360°, ensuring clear and crisp video quality that helps team members feel connected while working apart; this level of detail can be vital when showing physical objects, including models and sketches, rather than doing a screenshare. Moreover, the device’s microphone comes with 8 omnidirectional beam-forming Smart Mics and an audio radius of 18 inches. The speaker quality and output quality help to ensure that both designers and project teammates can hear one another as clearly as possible.

The Meeting Owl 3 is designed to automatically focus on the voice actively speaking, which creates the best possible meeting experience without having to intervene and consistently check-in with those listening. Owl Lab’s easy-to-use connection system makes it ideal for those running multiple meetings back-to-back or those signing into last-minute calls. It can be simply plugged into the host computer via USB-C or can be connected to the Expansion Mic via micro-HDMI. Once connected, users can immediately start their video conference call.

Beyond home work, The Owl Lab is useful to architects working in the office who would like to collaborate with teammates or meet with far away clients virtually. Indeed, it is especially helpful for design firms that conduct international business with overseas clients. This device’s ability to mimic the office environment and in-person feel will aid in building client confidence and maintaining a good rapport between team members.

This ind of tool is also useful for larger conferences or for those working in big spaces. In such cases, Two Meeting Owl 3s can even be paired together to expand the video and audio coverage within a space. Meanwhile, the device is small and compact and blends seamlessly into any environment without creating an eye sore or distraction.

Since its release, the Meeting Owl 3 has been widely revered for its effortless set-up and ability to foster connectivity. One Amazon user explained how the “system was so simple to install, plug it in, initiate the system and you are off and running on your zoom meeting” and how it “made the meetings fun, functional and will allow our in person and remote teams greater ease and access to each other, a win for us in productivity and connectivity.”

Meeting Owl 3 is one of those devices that enables designers to maintain the best of both worlds: to continue working remotely without having to compromise on collaboration and communication. Equally, it allows studios to seamlessly present projects and make virtual connections with far-off clients around the world.

Learn more and shop >

For more laptops and workstation recommendations for architects, checkout 15 Top Laptops for Architects and Designers, and watch out for more in our Tech for Architects series, coming soon.

Reference

Man using Neff Slide & Hide oven in contemporary green-coloured kitchen
CategoriesInterior Design

Emil Eve Architects designs small kitchen with space-saving appliances

Dezeen has teamed up with Neff to commission London studio Emil Eve Architects to design a small contemporary kitchen using the German brand’s space-saving appliances, including an oven with a fully retractable oven door.

To coincide with the 20th anniversary of the brand’s Slide & Hide oven, which features an oven door that slides away under the appliance, Neff and Dezeen teamed up with Emil Eve Architects to develop a design for a modern kitchen for city homes where space is limited.

Man using Neff Slide & Hide oven in contemporary green-coloured kitchen
The Slide & Hide oven features a door that can “disappear” under the appliance to gain easy access to food

The design aims to balance smart and functional design that saves space in an imaginative and contemporary style.

“Smart and functional design doesn’t have to mean boring. We love to bring an element of fun to cooking with our appliances,” said Neff.

“Space in city centres comes at a cost, so when that space is limited, design and functionality is essential to love the home you live in.”

Technical drawing of Emil Eve Architect's small kitchen design
The kitchen was designed to optimise space in smaller city homes

Emil Eve Architects developed the design with the vision of creating a kitchen space for preparing and sharing food, where cooking and eating is a social experience to leisurely spend time.

The guiding principle behind the design was to combine efficiency and ergonomics and to maximise space for smaller city homes. The design features generous shelving for storage and displays, using products that have the ability to seamlessly slide everything away – even the appliances.

“We have greatly enjoyed the challenge of working with Neff to develop a kitchen design for a city centre home, where space is at a premium, but design does not need to be,” said the studio.

Woman cutting vegetables in contemporary green-coloured kitchen
The kitchen features ample shelving for storage and displays and appliances that can be compacted away

Neff describes its Slide & Hide oven as the “only oven with a fully retracting door” that not only frees up space in the kitchen, but also enables users to get up close to the food to add last-minute additions and allows users to safely retrieve dishes without risk of getting burns.

The built-in oven features a sliding door designed to “disappear” in one swift motion via a rotating handle. It comes in stainless steel or graphite grey with the option of adding steam functions, eco-clean, touch screen displays or be linked with Neff Home Connect app, which enables users to control home appliances remotely via voice commands.

“It’s more than just a technical object, it has a sort of playful component, and it’s simply fun to use,” said Neff vice president of design Ralf Grobleben.

Plan drawing of small kitchen design and balcony by Emil Eve Architects
The design centres around a kitchen island with easily accessible storage

The kitchen features a central island as a contemporary take on a traditional farmhouse kitchen table. The island is equipped with a series of drawers and open shelves where everything is easily accessible.

The traditional kitchen garden is replaced with a richly planted balcony, designed to be a small but productive space elevated above the city.

The architects combined high-quality materials including vibrant stained solid timber fronts that contrast with exposed powder-coated steel and stainless steel work surfaces.

Founded in 1877, Neff develops and produces built-in home appliances for modern kitchens. Its products range from ovens, hobs, extractor hoods to refrigerators, freezers, dishwashers and coffee machines.

Dezeen x Neff

This article was written by Dezeen as part of a partnership with Neff. Find out more about Dezeen partnership content here.

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Black two-storey timber house with brown door by HAPA Architects
CategoriesArchitecture

HAPA Architects clads South Downs eco-home in charred timber

Local practice HAPA Architects has used charred timber planks to clad this eco-home in Sussex, England, which features large picture windows framing views of the South Downs National Park.

Located at the end of a country lane in a conservation area, Black Timber House has been designed using materials that will cause the building to weather over time.

Black two-storey timber house with brown door by HAPA Architects
HAPA Architects intends for Black Timber House to weather over time

“The material palette has been carefully curated to patinate and weather into its surroundings, using deep-grain charred English larch, complimented with natural copper guttering and dark slate roofs to create a particularly impressive aesthetic,” said the practice.

The form of the home comprises a rectilinear base topped with a gabled upper storey, with the two intersecting and slightly offset to create a projecting overhang that shelters the entrance.

Black timber-clad exterior of house by HAPA Architects
The two-storey charred timber home has a gabled roof

The ground floor contains a large living, kitchen and dining area around a wood-burning stove, with sliding doors that open onto a covered terrace, alongside a study and utility space.

A wooden staircase leads up to the first floor, illuminated by a long, wrap-over window cut out of the gabled roof that frames the landscape and sky.

Bedroom with hanging light shade and folding internal blinds
One bedroom features folding internal shutters

Above, the en-suite main bedroom occupies the northern end of the home, with a smaller bedroom tucked alongside.

Two further bedrooms can be found at the southern end, one of which features a thin, full-height window with bespoke internal shutters.

“At ground floor, the plan is a simple box containing the heart of the home…accessed from a generous entrance hallway providing a grand opening to the rear landscape,” said the practice.

“The vaulted ceilings in the bedrooms create impressive double-height spaces, and a wrap-over window over the staircase adds some fantastic natural light and drama as the occupants climb up towards the canopy space,” it continued.

Black Timber House by HAPA Architects
Windows overlook the South Downs National Park

The black, charred timber of the exterior was achieved using the traditional Yakisugi charring method to improve its resistance to moisture and pests, and the thin planks have been laid horizontally on the ground floor form and vertically above.

The dark exterior is contrasted by pale wooden window reveals and open, light interiors, with the first floor benefitting from high ceilings beneath its gabled roof, finished in pale plaster.

Bright kitchen in South Downs with green table and blue sofa
The open kitchen, living, and dining area on the ground floor opens onto a covered terrace

Where possible, natural and surplus products have been used for fittings and carpentry, with surplus oak flooring used to create kitchen cupboards and drawers around a central zinc-topped counter.

The home was designed to achieve a high thermal and energy efficiency standard, generating its own power using photovoltaic panels and using an air source heat pump.

Elsewhere in the South Downs, UK studio Sandy Rendel Architects recently converted a barrel-vaulted steel barn into a home, with finishes that celebrate its agricultural character and aesthetic.

The photography is by Jim Stephenson.

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SDCC_aerial view
CategoriesArchitecture

Healing Green: Architects Are Breaking Down a Long Tradition of Sterile Healthcare Design

Architects: Want to have your project featured? Showcase your work through Architizer and sign up for our inspirational newsletter. 

That nature can help cure people both physically and mentally is not a new concept. Architects are using greenery to help combat the sterility of modern healthcare facilities, yet it is not usually not easy to achieve the ideal result. Explore different approaches to ‘green healthcare’ with the following six projects of different sites and sizes.


Steno Diabetes Center Copenhagen

By Vilhelm Lauritzen Architects and MIKKELSEN Architects, Herlev, Denmark

Popular Choice, 10th Annual A+Awards, Hospitals & Healthcare Centers

SDCC_aerial viewSDCC_interiorSteno Diabetes Center Copenhagen is a hospital for preventing and treating diabetes. The hospital occupies a rectangular site with two entrances open on two opposite sides. There are four inner gardens on the first floor and two of them greet the visitors immediately upon their entry. Common areas such as circulation spaces and reception sit in the middle of the floor plan, while most individual rooms are lined on the outer ring.

The same layout continues to the second floor, replacing covered common areas with a continuous roof garden. Both vegetation and warm-color, wooden interior aim to build up a calming atmosphere for all visitors. Outside the rooms, a thin layer of vegetation shelters the rather private rooms from public view.


Maggie’s Leeds

By Heatherwick Studio, Leeds, United Kingdom

Jury Winner and Popular Choice, 9th Annual A+Awards, Hospitals & Healthcare Centers

maggies leeds_exteriormaggies leeds_interiorMaggie’s centers provide free cancer support and information to patients and their friends and families. The centers are located across the UK, each in a unique style while all of them embrace nature as a way of healing. Maggie’s Leeds stands on the last patch of greenery at St James’s University Hospital. The sloping site is bounded by roads and a multi-story car park. Instead of flattening the landscape, the spaces descend along the landscape, creating views that vary from open to secluded.

Three tree-like structures articulate the common areas under their crowns and include the counseling rooms within the trunk. Plants are visible everywhere – on top of the roofs, around the buildings and inside the buildings. The building demonstrates the idea of shelter in a natural form.


Waldkliniken Eisenberg

By Matteo Thun & Partners, Germany

Popular Choice, 9th Annual A+Awards, Architecture + Health

This new hospital wing of the orthopedic center Waldkliniken Eisenberg enjoys an immersive view of the Thuringian Forest. The six-story building has 128 patient rooms, all located on the outer ring of the circular floor plans. Floor-to-ceiling windows invite unblocked views of the natural landscape into the rooms while providing natural light and fresh air to the rooms.

Common areas such as the lobby and the cafeteria for patients are in the middle of the floor plans, framed by the wards. Inner gardens are carefully cultivated so that the common areas are also visually connected to pleasing greenery. The interior is finished largely in warm-color timber and lighted up by colorful fabrics. Rich textures and colors create a cozy and cheerful atmosphere for the patients.


Expansion of Santa Fe de Bogotá Foundation

By EL EQUIPO MAZZANTI, Bogota, Colombia

Popular Choice, 8th Annual A+Awards, Health Care & Wellness

Expansion of Santa Fe de Bogotá Foundation_exteriorExpansion of Santa Fe de Bogotá Foundation_solariumThe expansion of Santa Fe de Bogotá Foundation is sited in the compact urban context of the city of Bogotá. It comprises an eleven-story block and a single-story base. The roof of the base becomes a plaza opening to the roads, with staircases inviting people onto it. Red bricks cover the expansion as a response to the existing buildings around. Strips of pavement on the plaza are replaced by plants. Different types of plants vary in height, breaking the flatness and solidity of the brick plaza.

Bricks are held by metal cables and form an airy net over the tall block. Light penetrates the breeze-wall façade during the day, nurturing the plants in the solarium on the ninth floor. Patients can feel connected to the outside world in the solarium while remaining sheltered and protected.


Maggie’s Gartnavel

By OMA, Glasgow, United Kingdom

maggies glasgow_aerialmaggies_2011_Charlie KoolhaasMaggie’s Gartnavel sits humbly on the land of the Gartnavel hospital in Glasgow, close to the Beatson West of Scotland Cancer Centre. The single-level volume comprises a series of interlocking rooms, with an inner garden in the middle of the ring of rooms. With a flat roof and floor levels that respond to the natural topography, the rooms vary in height. Common areas including the dining room, kitchen, library and a large activity room are on the side with taller ceilings and the counseling rooms are more intimate.

Although the rooms are of different levels of privacy, there are hardly continuous walls that enclose a room. Most spaces have at least one side open or transparent. As a result, the spaces are separated by functions yet visually continuous. Meanwhile, views of the gardens enter the spaces freely through the transparent façades.


SDC

By Takeru Shoji Architects.Co.,Ltd., Niigata, Japan

SDC_exteriorSDC_interiorNeighboring a nursery, elementary school and junior high school, this dental clinic is designed as an enjoyable place for both children and parents. This two-story timber building accommodates not only a clinic but also a bookstore and daycare center. By combining programs, the design team wishes to encourage people to come not just for their appointment.

A long garden surrounds the building. The view of the garden passes through the sheltered corridors and enters the interior spaces. The garden is a buffer between the clinic and the roads as well as a showcase for changing weather and seasons.

Architects: Want to have your project featured? Showcase your work through Architizer and sign up for our inspirational newsletter. 

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Tech for Architects: An Edgeless Monitor to Enhance Your Workstation
CategoriesArchitecture

Tech for Architects: An Edgeless Monitor to Enhance Your Workstation

For more laptops and workstation recommendations for architects, checkout 15 Top Laptops for Architects and Designers, and watch out for more in our Tech for Architects series, coming soon.

A monitor for an architect is like a magnifying glass for a jeweler. It permits close-up and detailed views of an architect’s designs. When working with design software and intricate images, computer monitors help enhance a working environment and ultimately lead to a more successful project outcome. As the design industry heavily relies on technology, accessorizing a workstation with quality monitors, mouses and laptops are paramount.

Choosing the right monitor for professional work is equally important, and there are numerous aspects to consider, such as resolution, speed and brightness. And for many industry professionals, budget plays a significant role in the decision-making process. Luckily, there are monitors on the market today — such as the KOORUI 24-Inch Business Computer Monitor — that respond to designers looking to enhance their workstations while respecting their budget. The new KOORUI monitor offers great performance capabilities, pronounced screen visibility and advanced eye comfort.

All of these qualities can stand up to similar products by Dell and HP, making it KOORUI’s a very good price point for the product. As one reviewer succinctly explains, “I do CAD work on this monitor and find it very close in picture quality to those costing 4 times as much.” 

The KOORUI’s 23.8 inch monitor boasts a wide screen that offers clear views of one’s work. It comes with a frameless screen that displays images in their unaltered form. This edgeless design is ideal for designers connecting multiple monitors and require reliable and uninterrupted views of their work. The KOORUI’s VA screen covers 99% of the SRGB color gamut. This VA screen produces clear and precise color depictions and is ideal for architects whose work is often dependent on color accuracy.

In their product reviews, Amazon customers underlined how well the edge-less design lent itself to dual-monitor workflow setups: “It’s sleek looking and all the buttons are right there in the front so when it’s side-by-side with my other monitor, it is more seamless looking from one screen to another.”

Meanwhile, when spending all day in front of a screen, it’s important to use products that maximize comfort. The KOORUI monitor can be tilted up to five degrees forward and 20 degrees backwards. This feature permits bespoke adjustments that adhere to each designer’s personal viewing preferences — including transitions from seated to standing work set-ups. Additionally, the monitor comes equipped with Flicker-Free technology and a Blue Light Filter which helps make a full day of screen time manageable and less straining.

The monitor comes with multiple ports including HDMI and VGA and can be connected to PC, Xbox and other laptops, thus suitable for both professional and personal use. The new KOORUI 23.8 inch monitor is an economical and straightforward solution for architects looking to enhance their workstation and improve their productivity.

For more laptops and workstation recommendations for architects, checkout 15 Top Laptops for Architects and Designers, and watch out for more in our Tech for Architects series, coming soon.

Reference

Tech for Architects: Is This the Perfect Mobile Workstation For Designers?
CategoriesArchitecture

Tech for Architects: Is This the Perfect Mobile Workstation For Designers?

Architizer Journal is reader-supported. When you buy through links on our site, we may earn an affiliate commission. Learn more.

Lenovo’s ThinkPad P Series Mobile Workstations have been a huge hit amongst architects, designers and other industry professionals. Through their compact design, robust performance abilities and reliability, these devices embody everything it means to be a designer in the 21st century, merging old-school design principles with modern-day technology. Just last month Lenovo introduced the new ThinkPad P1 Gen 5 16” Mobile Workstation.

The latest in the Thinkpad series boasts the portability of its predecessors with some new and improved features that make for a relaxed and smooth work experience. Despite its sleek appearance, this device is powerful and offers the best of the latest Intel vPro® platform, Core™ H Series processors and NVIDIA® graphics, meaning it can easily handle the demands of rendering and real-time visualization.

The device is made of a liquid metal thermal design which ensures that it stays cool, while its Carbon-Fiber weave cover is sleek in appearance, making it discreet and professional for meetings and presentations. The 16’’ touchscreen is anti-glare and produces an advanced color quality through its X-Rite Factory Colour Calibration. By correcting the RGB color, designers can confidently edit designs and communicate rendering changes. Additionally, the backlit keyboard provides clear visibility for designers working on their computer for long periods of time. Meanwhile, the 12th Generation Intel Core i7-12700H Processor ensures a smooth and efficient work experience. 

Since its release, reviews have been broadly positive, with one user Amazon user declaring that “the screen looks great, clear and crisp, very bright and also has a night mode. Speakers have a clear sound and are loud.” They also tout the workstation’s security options as a plus point: “You can login by using your fingerprint, face recognition, or use a pin instead.”

This new model can be categorized by its pronounced comfort and reliability. Designers spend a great deal of time in front of their screen and to help avoid eye strain and maximize comfort, the ThinkPad P1 Gen 5 comes with a low blue light. Additionally, with its rapid battery charge of up to 80% in 60 minutes, this computer supports on-the-go designers who require a speedy device ready to use throughout the workday. The computer comes preloaded with the ThinkShield security suite, a fingerprint reader, encryption capabilities and a self-healing BIOS, which allows designers to safely store their drawings.

Since the mobile workstation is portable, the Lenovo ThinkPad P1 Gen 5 is made to withstand any environment. Whether it be at a construction site, on the train or in the studio, Lenovo’s integrated US Department of Defense’s MIL-STD 810H standards ensures that the device can withstand virtually any climate or condition. 

The ThinkPad P1 Gen 5 16” Mobile Workstation is now available for purchase and is a great device for architects looking to increase comfort while prioritizing quality design.

For more laptops and workstation recommendations for architects, checkout 15 Top Laptops for Architects and Designers, and watch out for more in our Tech for Architects series, coming soon.

Images courtesy of Lenovo, with sample screenshots added.

Reference

Koichi Takada Architects’ Latest Tower Is Creating Major Waves on Australia’s Golden Coast
CategoriesArchitecture

Koichi Takada Architects’ Latest Tower Is Creating Major Waves on Australia’s Golden Coast

How can architecture be a force for good in our ever-changing world? During Future Fest, we’ll pose this question to some of the world’s best architects. Launching in September, our three-week-long virtual event will be 100% free to attend. Register here!

Nestled between beloved Surfers Paradise and chill Coolangatta, Burleigh Heads is a small suburb on Australia’s famed Golden Coast, known for its crowd-drawing surf breaks and iconic towering pine trees. In recent years, a hip dining scene has emerged, reflecting how the area’s popularity has grown. Now, there is a need for more multi-residential developments has increased to help house the growing influx of locals and visitors alike. For the first time in the area in three decades, a multi-residential development has gone up, taking the name of Norfolk, Burleigh Heads.

The iconic luxury apartment building gets both its name and from the heritage Norfolk pine trees found around the site, making a significant contribution to the unique features that set this area apart from the rest. “Just like their pinecones protect its seeds from bad weather and open when in ideal natural settings, Norfolk’s architecture can be adapted to protect residents from the elements or opened up to take in the 300 days of subtropical sunshine and stunning natural surroundings,” said the building’s visionary Koichi Takada Architects, a firm known for the diversity of their portfolio and imaginative willingness to push the bounds of architectural form.

Images by Scott Burrows

The 10-story building bagged both the Jury and Popular Choice A+Awards in the Multi-Unit Housing – Mid Rise category and for a good reason. It makes a statement, challenging how we imagine multi-residential towers, while staying true to the unique features that make the site special. Fanned balconies, a ribbed spine and endless views are just a few other elements that make it special. Its organic form allows it to be a spectacle from every angle and makes it seem like it will take flight. And while its geometry sets it apart, its neutral beige hue helps tie it to the beachy surroundings.

Large open balconies and maximized exterior surfaces allow more natural light to enter the building and increase the resident’s connection with the outdoors. Instead of being stacked uniformly on top of one another, the floating balcony slabs all vary in shape and are strategically overlapped to create additional shade and privacy for the homes below. Imitating the Norfolk pine, their sides are covered in slatted screening to create additional privacy. One can see that these floating slabs are also tapered at the edges and extend beyond the glass balustrade, making them seem even lighter and reflect natural light further into the homes.

Image by Scott Burrows

Cementing the relationship with nature, the architects have also added a spine to the building that curves inwards and allows the blades of the balconies to connect together like ribs. This provision creates shade in the summer, enhancing privacy while also allowing those inside to get glimpses of the ocean. The sides of the building also have slatted screens arranged in a diagonal pattern across the balconies to break up vertical lines and add some dynamism. Since these diagonal panels are movable, the façade is constantly changing are creating new patterns, further reflecting the ever-changing qualities of nature.

Images by Scott Burrows and Tom Ferguson

The structure holds fifteen apartments and a part of two-level penthouses with private rooftops. Making it even more enticing to residents is the inclusion of a gym, outdoor pool and sauna. While all the apartments have generous light and ventilation, the north-facing homes have an unhindered 180-degree view of the ocean. The living, dining and kitchen areas spill out into the large balconies. The southern end of the building holds the en-suite bedroom. There are two additional rooms in the center of the floor as well. Natural timber floors used within the home extend to the balconies as well and create a clear visual connection with the sandy shore beyond. The interior spaces of these homes, fashioned by Mim Design, build on the natural tones found on the exterior of the building to create a cozy coastal home.

How can architecture be a force for good in our ever-changing world? During Future Fest, we’ll pose this question to some of the world’s best architects. Launching in September, our three-week-long virtual event will be 100% free to attend. Register here!

Reference

Architects Should Stop Using Concrete. Change My Mind.
CategoriesArchitecture

Architects Should Stop Using Concrete. Change My Mind.

How can architecture be a force for good in our ever-changing world? During Future Fest, we’ll pose this question to some of the world’s best architects. Launching in September, our three-week-long virtual event will be 100% free to attend. Register here!

Concrete is one of the most widely used substances on Earth, it has been around for centuries and makes up most of our modern-day and past world. It is used to build our roads, our buildings and the many historic monuments we cherish today. Humankind relies on concrete for everything: to build our hospitals, transportation systems and schools. We have greatly benefitted from this material and it is thanks to its relatively straightforward manufacturing process that makes it easy to use on a global scale.

When we think back, some of the most important historic monuments still stand thanks to concrete. Take the Colosseum for example, or Le Corbusier’s Unité d’Habitation, such architectural wonders are owing to concrete.

The Colosseum metro exit, Rome, Italy, Courtesy of Wikimedia Commons

Concrete has played a pronounced role in architectural movements like Brutalism and Futurism and its aesthetic properties have been contested and debated time and time again. When and where concrete was first used is often debated and it typically depends on how one defines the term “concrete.” Although its origins are contested, it is clear that ancient civilizations have combined limestone with water and sand for a very long time. This historic mixing of limestone, water and aggregates can be seen as a precursor to the modern-day cement-making practices we use today.

In 2022, we live in a world dominated by concrete.The Romans were known to use concrete similarly to the way we do today. This ancient civilization built everything with concrete – bathhouses, harbors and important religious structures like the Pantheon. What’s significant about these ancient Roman structures is their ability to have lasted centuries. The lifecycle of modern-day concrete is roughly 100 years, however, there was something about the Roman structures that stood the test of time. Many believe the longevity seen in the structures built by the Romans is thanks to the use of volcanic ash, otherwise known as pozzolana

Today, concrete is made by blending Portland cement with water and then mixing the paste with aggregates — typically sand, gravel and crushed stone — which hardens and binds into an incredibly durable substance. Portland cement is a limestone powder developed in the late 19th century and is hugely popular in today’s cement-making industry. Concrete’s unyielding nature mixed with its relatively straightforward construction process has helped it land its name as the most used substance on Earth (after water, of course).

The Pantheon dome, Rome, Italy, Courtesy of Wikimedia Commons

We are living through the age of concrete, and the time has come for this epoch to draw to a close. The world’s most beloved material is, simply put, detrimental to our planet.

Concrete has kept us sheltered and secure for a long time. Safe from the elements, inside our concrete fortresses unaware of what’s happening outside. We have reached a time in history where concrete is competing — and winning — against the Earth’s fauna. Concrete accounts for around 4-8% of the world’s CO2 emissions and most of that is produced during the manufacturing stage. The concrete industry has tried to divert attention toward the material’s positive capability of capturing CO2, but studies have proven that concrete absorbs a mere 17% of emissions produced, and that’s over its lifecycle of 100 years.

However, it’s not just CO2 emissions that worry scientists: the cement-making process accounts for one 10th of the world’s industrial water consumption. An equally worrying issue is concrete’s impact on natural resources. The cement-making process is draining many natural infrastructures that humans rely upon. For example, the acquisition of sand to make concrete is destroying many of the world’s beaches. The glorified concrete jungle is covering the productive land we rely upon for our very existence.

Unité d’Habitation by Le Corbusier, Marseille, France, Courtesy of Wikimedia Commons

The craze for concrete, excess and grandeur is seen all over the world and is especially pronounced in China. Statistically speaking, China has poured more concrete into its land every three years than the United States has in the past hundred years. Not only is this significant in terms of environmental impact, but it is a costly endeavor for governments to replace and dispose of old concrete.

What can possibly be the solution to replacing the world’s most used substance? There is certainly no clear path to doing so, but there are ways to start. Architects, builders, manufacturers and consumers all carry a responsibility when it comes to making conscious choices that will impact our planet. Rethinking the production process, using alternative materials and conserving existing concrete structures are starting points. Finding alternative construction practices, such as timber-framed buildings, is important areas to explore. However, it is crucial not to replace one ecological issue with another.

The situation is complex, political and far from resolved. Demanding architects, who have been taught to rely upon concrete, to avoid the material altogether will take time. However, we need to start somewhere. We should be striving toward a mindset shift, one where humans understand their place on Earth and respect their ecosystems and natural terrains. We must shift our priority from grandeur and excess to preserving the Earth’s natural resources and ultimately, close the chapter on the concrete era.

How can architecture be a force for good in our ever-changing world? During Future Fest, we’ll pose this question to some of the world’s best architects. Launching in September, our three-week-long virtual event will be 100% free to attend. Register here!

Reference