Terraced apartments
CategoriesInterior Design

Rafael Viñoly Architects unveils “last project” designed by Rafael Viñoly

Architecture studio Rafael Viñoly Architects has unveiled designs for a terraced residential building in Uruguay, which is the last project designed by the studio’s founder.

Located outside of Montevideo on a beachfront site, the Médano El Pinar apartment complex will be comprised of approximately 120 luxury, multi-family residences of one to five bedrooms. It is the last project designed by architect Rafael Viñoly, who died last year.

Terraced apartments Terraced apartments
Rafael Viñoly Architects has unveiled designs for a terraced residential complex in Uruguay

“The last project designed by renowned architect Rafael Viñoly, Médano El Pinar is an innovative, ultra-sustainable, luxury, multi-family residential development,” said the studio.

“The building’s long, low-slung, and sinewy shape integrates it with the organic landscape of its pristine setting to minimize its visual impact on the neighbourhood and make it completely invisible from the public beach.”

A terraced hotelA terraced hotel
It is the last project designed by the late architect, according to the studio

Situated behind sand dunes, renderings show an undulating building with a terraced facade that mirrors the curves of its beachfront site.

Residences will be distributed along its 1,394-foot (425-metre) length and contain glazed facades that will open onto terraces.

Living room with fireplaceLiving room with fireplace
The residences will contain glazed facades and private terraces

“Generously proportioned interiors open to large elevated private gardens with panoramic views, creating a sense of ‘conscious luxury’,” said the studio.

The building will be constructed from a locally sourced mass timber structure, according to the studio, with aims to be “the first nearly Zero-Energy Building”.

Other sustainable strategies integrated into its design will include the use of solar panels, rainwater capture, a green roof and cross ventilation.

Interior renderings show double-height living spaces with wood beams distributed throughout and capped by a wood-slated ceiling.

A building with glass facadeA building with glass facade
The building will be made of a mass timber structure

A wall of floor-to-ceiling windows and sliding glass doors open onto the accompanying terrace, which hosts a small pool or garden and additional seating areas.

A large pool sitting in front of the building is also pictured, with ground-level entrances to the building tucked along its length.

Uruguayan architect Viñoly, who died aged 78, designed numerous buildings around the world including 432 Park Avenue in New York and the Walkie Talkie in London.

Architects and critics including Norman Foster and Michael Kimmelman paid tribute to Viñoly after his passing, and his son Román Viñoly, discussed his legacy in an interview with Dezeen.

Other recent projects in Montevideo include a stacked housing block designed by MVRDV and a prefabricated multi-storey car park by MAPA.

The images are courtesy of Rafael Viñoly Architects.

Reference

A spiraling ramp replaces the need for stairs in this modern office and adds a sculptural element.
CategoriesInterior Design

Instead Of Stairs, A Spiraling Ramp Was Designed For This Office Building

A spiraling ramp replaces the need for stairs in this modern office and adds a sculptural element.

PAULO MERLINI architects has designed the offices of E-GOI & CLAVEL´S KITCHEN in Portugal, and one of the main design features central to the interior is a spiraling ramp.

A spiraling ramp replaces the need for stairs in this modern office and adds a sculptural element.

The former warehouse, which has now been transformed into offices that span multiple floors, includes a ramp that replaces the need for a staircase.

A spiraling ramp replaces the need for stairs in this modern office and adds a sculptural element.

The elegantly curves of the concrete form is accentuated by the use of white bars and edges.

A spiraling ramp replaces the need for stairs in this modern office and adds a sculptural element.
A spiraling ramp replaces the need for stairs in this modern office and adds a sculptural element.

The circling ramp connects the floors of the office and adds a sculptural element that doesn’t block the light from traveling throughout the interior.

A spiraling ramp replaces the need for stairs in this modern office and adds a sculptural element.
A spiraling ramp replaces the need for stairs in this modern office and adds a sculptural element.
A white frame and supports connect the top of a spiraling ramp with the ceiling.

Here’s a glimpse of the ramp looking down from the top floor, and up from the ground.

A spiraling ramp replaces the need for stairs in this modern office.

Let’s take a look at the rest of the office…

The exterior of the office has walls of glass providing a glimpse of the interior for the pedestrians on the street.

The exterior of this modern office has walls of glass providing a glimpse of the interior for the pedestrians on the street.
The exterior of this modern office has walls of glass providing a glimpse of the interior for the pedestrians on the street.

There’s a variety of different seating areas in the office interior, including spaces for casual meetings in house-shaped alcoves.

There's a variety of different seating areas in this modern office interior, including spaces for casual meetings in house-shaped alcoves.

More private work rooms with glass walls that keep the sound in or out.

A modern office interior with a variety of work areas.

A larger meeting room with a blue curtain that’s filled with beanbags and has LED lighting in the ceiling.

A large meeting room with a blue curtain that's filled with beanbags and has LED lighting in the ceiling.

Other more traditional work spaces exist too, with desks that include multiple work stations.

A modern office with floor-to-ceiling windows.

There’s also a photo studio with a minimalist white kitchen with floating wood shelves. Adjacent to the kitchen are tall wood shelves filled with photography props and kitchen equipment.

A modern office has a photo studio with a minimalist white kitchen with floating wood shelves. Adjacent to the kitchen are tall wood shelves filled with photography props and kitchen equipment.
Wood shelves frame a spiraling ramp in the center of this modern office.

When it’s time to take a break from working, there’s a communal area with long wood tables, a kitchenette, seating by the windows, and an outdoor space.

A modern office with a communal break room.
A modern office with seating by the windows that take advantage of the natural light.
A modern office with plants that hang from a metal detail.
Photography by Ivo Tavares Studio | Architecture Office: PAULO MERLINI architects | Main Architects: Paulo Merlini/ André Santos Silva

Hem exhibition stand at Stockholm Furniture Fair
CategoriesSustainable News

Stockholm Furniture Fair exhibition stands designed to cut down on waste

Is it possible to stage a trade fair without producing excessive waste? Dezeen editor-at-large Amy Frearson explores eight approaches that were all on show at this year’s Stockholm Furniture Fair.

The trade show format is increasingly under scrutiny, with environmental concerns prompting many to reconsider the material cost of building large exhibition stands that are only used for a few days.

Stockholm Furniture Fair has pointed a way towards how trade fairs might become more eco-friendly. The majority of exhibitions and stands at this year’s edition of the fair were designed to reduce waste and promote circularity.

“A new layout to promote less construction”

Hanna Nova Beatrice, director of Stockholm Furniture Fair, said that numerous strategies were set out to reduce the carbon footprint of the fair.

“First and foremost, we updated the halls with a new layout to promote less construction,” she said.

Nova Beatrice and her team also drew up “very strict guidelines” that were applied to all of the in-house exhibitions, and worked closely with exhibiting brands to help them find more sustainable solutions.

“We had many discussions about how fairs can be more sustainable, promoting less construction and less waste, both within the organisation and with our exhibitors,” she explained.

Here’s a look at eight approaches that featured:


Hem exhibition stand at Stockholm Furniture FairHem exhibition stand at Stockholm Furniture Fair
Photo is by Erik Lefvander

Create island stands without walls

The new fair layout made it possible for some brands to create “island stands” formed simply of a floor surface that could be easily repurposed or recycled.

Brands adopting this approach included Hem, whose stand was defined by bold chequerboard flooring. The result was a space that became a de facto public plaza.


Nola exhibition stand at Stockholm Furniture FairNola exhibition stand at Stockholm Furniture Fair
Photo is by Sanna Lindberg

Use products to frame space

Swedish outdoor furniture brand Nola put its own spin on the island stand by making clever use of one of its new products, the Moiré pavilion by designer Mattias Rubin de Lima.

By installing two of these pergola structures, Nola was able to create a simple frame for its stand. This was accompanied by a floor formed of recycled bricks, making the space feel like a garden patio.


Pholc installation at Stockholm Furniture FairPholc installation at Stockholm Furniture Fair

Build an installation rather than a stand

The fair organisers encouraged some brands to find ways to exhibit using no construction at all. “Think Lars Von Trier’s Dogville, which used only tape to divide the different areas,” Nova Beatrice explained.

One of the most successful examples came from Pholc. The Swedish lighting brand worked with design agency Nineties to create a multilayered scenography out of stacked packing crates.


Lammhults exhibition stand at Stockholm Furniture FairLammhults exhibition stand at Stockholm Furniture Fair
Photo is by Erik Lefvander

Creatively repurpose an old stand

Many Stockholm exhibitors chose to reuse a stand they had already used before, either for a previous edition of this fair or for one of the many others on the furniture design calendar.

One of the most simple and effective approaches came from Swedish furniture brand Lammhults, which reuses the same stand every year but simply paints it in a different colour. For this year, the cobalt blue of 2023 was replaced with a bold shade of red.

Other noteworthy examples included fellow Swedish brand Mitab, which opted for transparency. Its stand featured a counter that made clear how it had used the same stand for the last five years. “This is the same bar we used last year. And we will use next year,” read text printed on the front.


Minus Furniture exhibition stand at Stockholm Furniture FairMinus Furniture exhibition stand at Stockholm Furniture Fair
Photo is by Felix Odell

Work with waste materials

Minus Furniture made its fair debut with a stand built entirely from recycled materials, in line with the Norwegian brand’s ambitiously eco-friendly business model.

Interiors studio Omhu went to great lengths to source everything. Together with a rented scaffolding system, the design included items sourced from construction sites, second-hand stores and municipal waste.

“Not every company wants to put in the work to think in this manner. It takes time and research to demonstrate and source supplies of a circular nature,” said Poppy Lawman, designer at Omhu.


Reading Room by FormafantasmaReading Room by Formafantasma
Photo is by Andy Liffner

Find a new home for everything

All of the fair’s own exhibitions were designed for circularity, which meant rehoming every component once the fair was over. The Reading Room installation by guest of honour Formafantasma was one of the best examples.

Both the fabric curtain that framed the space and the books displayed inside have been donated to design schools, while the Flos lighting has been gifted to a bookshop. The Artek furniture is meanwhile being sold by retailer Nordiska Galleriet as signed limited editions.


The Yellow Thread bar and stage by Färg & BlancheThe Yellow Thread bar and stage by Färg & Blanche
Photo is by Andy Liffner

Adapt an old design for a new purpose

The bar and stage installation by Stockholm-based Färg and Blanche was first created for Sweden’s Presidency of the Council of the European Union, which took place in the first six months of 2023.

The design duo adapted the components into a new configuration so that they could be reused here, along with flooring that manufacturer Tarkett plans to repurpose at its factory in Ronneby.


New Ventures area at Stockholm Furniture FairNew Ventures area at Stockholm Furniture Fair
Photo is by Andy Liffner

Keep things simple

Young brands exhibiting for the first time were invited to make use of ready-made booths designed by designer Nick Ross, rather than building their own.

This “nude edition” was built from recycled materials – an aluminium truss system created freestanding wall modules in untreated MDF – that are now being recycled again.

“The entire area can be disassembled and reused for other events,” explained Ross.

Reference

Workstation Sinks By Delta Faucet Jury Winner, 2022 A+Product Awards, Kitchen & Bath, Fixtures & Fittings - Kitchen
CategoriesArchitecture

Smart and Stylish: 6 Innovative Home Products Deftly Designed for Modern Life

Architizer’s A+Product Awards is open for submissions, with the Extended Entry Deadline fast approaching on Friday, February 23rd. Get your products in front of the AEC industry’s most renowned designers by submitting today.

The time we spend at home has been on a steep incline over the past few years. Much of this time is accounted for by the considerable rise in people working from home. However, it’s not all work. Spending time on other activities at home has also seen a dramatic surge. For many people, their home has become their sanctuary, opting for intimate dinner parties over visiting lavish restaurants and cozy movie nights on the sofa above dancing in crowded nightclubs. Our homes are our offices, our gyms, our libraries, our playgrounds, and, in some cases, even our supermarkets. It is thanks to this shift in societal behavior that we are changing our view of what our homes are and what we need them to do for us, and with that, how we choose to furnish them is changing, too.

Homeowners are investing more in their homes, aiming to make their places of refuge as functional, comfortable, and efficient as they can — adopting new technologies to create spaces that are adaptable and places that can cater to an evolving lifestyle.

As of 2024, there are over 400 million smart homes worldwide, expected to reach 478.2 million by 2025. In the United States alone, over 60.4 million households are using smart home devices as of 2023, and this figure has grown to approximately 69.91 million households actively using smart home devices in 2024. Ease of use and functionality have become key factors in how we use our homes. The following products were designed to be as practical as they are stylish — as A+Product Awards winners, they also all received accolades from Architizer’s stellar jury of industry experts, comprising 200+ renowned architects and designers that truly understand what it takes to create great buildings and spaces:

Enter the A+Product Awards


Workstation Sinks

By Delta Faucet

Jury Winner, 2022 A+Product Awards, Kitchen & Bath, Fixtures & Fittings – Kitchen

Workstation Sinks By Delta Faucet Jury Winner, 2022 A+Product Awards, Kitchen & Bath, Fixtures & Fittings - KitchenIf you’ve been on social media any time in the last year, you’re bound to have seen a workstation sink. The multifunctional units are the envy of every avid home chef, and this version by Delta Faucet is terrific. Designed to meet the evolving needs of modern kitchens, the workstation sinks are a blend of Delta Faucet water-delivery expertise and functional design. Each Workstation sink is sleek in design and offers a multifunctional workspace through its built-in WorkFlow™ ledge. The adaptable sink space is equipped with integrated accessories like cutting boards, dish racks, utensil holders and even a ledge to hold your phone or tablet. Constructed from durable TRU16 gauge stainless steel and featuring noise-reducing soundproofing, these sinks are designed for both durability and quiet operation.


Statement Showering Collection

By Kohler Co.

Jury Winner, 2022 A+Product Awards, Kitchen & Bath, Fixtures & Fittings – Bath 

Statement Showering Collection By Kohler Co. Jury Winner, 2022 A+Product Awards, Kitchen & Bath, Fixtures & Fittings - Bath Often, the goal of technology is to increase functionality and make things easier, but sometimes, it’s about pure luxury, and that was Kohler’s goal when creating the Statement Shower Collection—exquisite design paired with innovative performance to create the ultimate well-being experience.

The Kohler Statement™ showering collection transforms the shower experience, offering a unique blend of form, function, and flair. Drawing inspiration from furnishings and lighting, the collection’s designs integrate seamlessly into any space, encouraging personal expression through a variety of shapes, sizes, finishes and innovative spray experiences. This global line is designed for universal appeal, ensuring easy installation and specification across different regions. Kohler’s approach reimagines modern minimalism, blurring the boundaries between rooms and promoting a cohesive and warm aesthetic. The Statement collection marries powerful functionality with design sophistication to create an immersive environment.


36 Induction Cooktop with Integrated Ventilation

By Fisher & Paykel

Jury Winner, 2022 A+Product Awards, Kitchen & Bath, Appliances 

36 Induction Cooktop with Integrated Ventilation By Fisher & Paykel Jury Winner, 2022 A+Product Awards, Kitchen & Bath, Appliances The average kitchen extractor or cooker hood has never been the most attractive of appliances. While they have a valid purpose in most homes, bulky, shiny and painfully noisy are but a few choice descriptives for the standard extraction system, and because of these unfortunate characteristics, these silver suckers have been rapidly falling out of favor with designers and homeowners alike. But what do you do when you have poor ventilation and a fondness for aromatic foods? The answer— downdraft extractors. A relatively new innovation in kitchen design, downdraft extractors offer a sleek and discreet alternative to traditional overhead cooker hoods. They’re designed to be flush with the kitchen countertop and extract air directly from the hob when in use, making them especially suitable for kitchen islands or where a clear line of sight is preferred.

Fisher & Paykel have taken this innovation to the next level and integrated a downdraft extractor into their 36 Induction Cooktop. A true two-in-one appliance, the induction cooktop, with accurate temperature control, combines the precision of induction cooking with powerful extraction, meaning no more ugly overhead extractor.


30-Inch Column Refrigerator

By Dacor

Popular Choice Winner, 2022 A+Product Awards, Building Systems, Smart Design & Technology 

30-Inch Column Refrigerator By Dacor Popular Choice Winner, 2022 A+Product Awards, Building Systems, Smart Design & Technology A fridge is a fridge, right? Wrong! The 30-inch Column Refrigerator by Dacor is the epitome of refrigerator technology. Placing technology at the forefront, the innovative fridge boasts intuitive features such as the iQ Remove View, which allows users to control temperature and lighting remotely and even view the contents of their refrigerator to simplify grocery shopping and a hidden touch-control display panel regulates temperature, helping to preserve food freshness and extending the lifespan of your groceries.

The refrigerator doesn’t just stop at technological prowess, though; its sleek design comes in three high-end finishes and can be fully integrated to sit flush with other kitchen cabinets, while the water dispenser is ingeniously fitted inside the unit to maintain the uninterrupted exterior finish.


Wilderness Front Facing 31H

By Ortal

Popular Choice and Jury Winner, 2022 A+Product Awards, Building Systems > Building Equipment & Systems 

Wilderness Front Facing 31H By Ortal Popular Choice and Jury Winner, 2022 A+Product Awards, Building Systems > Building Equipment & Systems There’s nothing quite like sitting in front of the fire on a cold winter’s evening, but the thought of cleaning it out and lighting it, alongside environmental concerns, can quickly take the romance out of the idea of having a fireplace in your home.

The Wilderness Front Facing 31H by Ortal removes those problems altogether. Drawing inspiration from the natural world to redefine the fireside experience, the beautiful feature fire uses advanced ceramic log technology with a soothing, nature-inspired aesthetic. The collection aims to provide a tranquil and memorable ambiance while the Wilderness Burner technology, available in variations like Wilderness Burner Dark Brown and Wilderness Burner Chopped Wood, pays homage to the timeless tradition of humans gathering around the hearth to tell tales and watch the world go by.

Ortal’s Front Collection takes the whole concept a step further by achieving the seamless integration of high-end contemporary frameless fireplaces into a building architecture with passive cool wall technology and powerful vent systems, and over 100 models with various media options to create unique and extraordinary focal points in any space.

Architizer’s A+Product Awards is open for submissions, with the Extended Entry Deadline fast approaching on Friday, February 23rd. Get your products in front of the AEC industry’s most renowned designers by submitting today.

Reference

Sustainable Practice: 10 Marvelous Multi-Unit Residences Designed With Passive House Principles
CategoriesArchitecture

Sustainable Practice: 10 Marvelous Multi-Unit Residences Designed With Passive House Principles

Architizer’s 12th Annual A+Awards are officially underway! Sign up for key program updates and prepare your submission ahead of the Final Entry Deadline on January 26th.  

Picture a world where manmade towers not only house vibrant communities but do so with a commitment to energy efficiency and affordability. This may sound too good to be true, but such buildings already exist and are increasingly cropping up in diverse corners of the globe. Indeed, architects worldwide are already imagining a new model for sustainable urban living, where design innovation meets efficiency (energy, monetary and material) in the soaring heights of multiunit residential buildings.

Mitigating the most devastating consequences of our carbon addiction is the overarching challenge of 21st-century society; however, most countries also face housing crises, and affordability is urgent. Can passive house design — long associated with bespoke private single-family homes, both newly built and remodeled — be something of a panacea for affordable housing?

Indeed, the multi-pronged benefits of the following multi-unit projects seem almost too good to be true. Passive House design can reduce energy consumption by up to 90%, leading to substantial savings on energy bills for residents while providing tangible benefits as indoor air quality improves. Standing at the forefront of a green revolution and challenging conventional housing and construction norms, these apartment complexes employ airtight façades, energy recovery systems and innovative insulation, making these buildings pioneers and painting a picture of a future where sustainable architecture is accessible to a broader range of inhabitants.


Timber House

By MESH Architectures, Brooklyn, New York

Jury Winner, 11th Annual A+Awards, Sustainable Multiunit Residential Building


The design for Timber House, New York’s first mass-timber condominium, was principally driven by two things: a high-tech digital model (to generate the wooden components, which were subsequently delivered for assembly) and Passive House design principles. This sustainable haven sets a new standard, uniting nature-inspired aesthetics, energy efficiency and residential comfort in a six-story, fourteen-home marvel. The energy-efficient envelope — sealed with with intensive insulation, “smart” air sealing and triple-glazed windows — wraps around the ingenious structure, which consists of glue-laminated timber columns, beams and floor plates.

Meanwhile, the interior showcases the amazing aesthetic possibilities of specifying low-carbon materials — from hexagonal porcelain tiles to renewable softwoods — all illuminated in the natural light that pours in from multiple skylights. Perhaps most remarkably, the ingenuity of the design ensure that building only relies on the electrical grid (one that is generated by renewable sources) for heating, hot water and cooking.


Paseo Mallorca 15

By OHLAB / oliver hernaiz architecture lab, Palma, Spain

The city of Palma has a new landmark, and it isn’t what the general population might expect from the sun-soaked Mallorcan capital, known for the splendor and intricacy of its massive cathedral and the magnificent concentration of modernismo-style buildings (the Catalan equivalent of Art Nouveau). What sets this new residential complex apart isn’t simply its strikingly delicate façade and palpable material approach, but also the design’s dedication sustainability, energy-efficiency and urban integration.

Passive House standards were used to ensure achieve maximum energy savings; in fact, the design boasts a nearly 90% reduction of the air, heating and cooling requirements of conventional buildings in this area. In addition,  construction method falls within the nZEB (nearly zero energy building) standard for consumption. Sliding panels made of wooden slats are both practical and aesthetic: they filter the intense Mediterranean sunlight but also generate an ever-changing play of patterns inside. These are part of a distinct double façade, sheathing a solid stone envelope beneath.


The Rye Apartments

By Tikari Works, London, United Kingdom

Like a beacon for the future of design, this ten-unit residential building is proudly perched on a highly visible corner in London. The design, which incorporates a variety of different apartment layouts for families of varying sizes, emerged through a rigorous analysis of privacy, daylight and neighboring building forms. The resulting architectural language complements the surrounding context and history. For example, red masonry shingles create an urban composition which is both reminiscent of the surroundings yet distinct.

Beyond aesthetics, the architects consistently sought to maximize the design’s efficiency, by minimizing material use and waste, embodied energy and cost. Such strategies include a Cross Laminated Timber (CLT) frame and numerous passive principals for energy reduction and saving, such as PV panels, whole-house heat recovery ventilation, and hi-performance solar control glazing, all set within a super air-tight envelope.


Vital Brookdale

By Dattner Architects, Brooklyn, New York

Vital Brookdale stands as a prime example of affordable Passive House and community-oriented housing, providing 160 affordable housing units and 25,000 square feet (2,320 square meters) of health-centric community space in Brooklyn’s Brownsville neighborhood. This initiative incorporates a 100kW solar photovoltaic system mounted on the roof, a green roof, advanced mechanical systems, top-tier insulation and windows, LED lighting, water fixtures with low flow, and various other energy-efficient features. Meanwhile, inside, materials were selected according to the ease of installation, cost, maintenance and their impact on resident health. The result is a resounding testament to the untapped power of Passive House design in multifamily housing.


PUNTA PRIMA MALLORCA

By GRAS Reynés Arquitectos, Calvià, Spain

The challenge: a client’s demand for extensive construction on a limited plot, which left little space for nature. The solution: a strategic blend of architectural elements that minimize visual impact and enhance the natural values of the land, embracing Passive House design to do so.


154 Broadway

By Utile, Inc., Somerville, Massachusetts

A five-story mixed-use development with commercial space on the ground floor and 45 rental units above, this project achieved Passive House certification, utilizes mass timber construction and is an all-electric, Net Zero Ready Building. The upper floors facing Broadway showcase a mosaic of rainscreen siding, reducing massing while providing shading and play of light through deep windows.

As an all-electric initiative, 154 Broadway eliminates on-site fossil fuel combustion and significantly reduces grid demand through an efficient, airtight envelope and advanced ventilation systems. The sizable design comprises 40 studios, 3 one-bedroom and 2 three-bedroom units, including 9 affordable units.


Sendero Verde

By Handel Architects, New York City, New York

Located in East Harlem, the design for this massive housing complex, home to 709 affordable units, prioritizes Passive House principles without compromising on design excellence. Inspired by a historic trail that once traversed the location, the project organizes itself into three distinct volumes, which frame a central meandering landscaped path. that culminates in a captivating central courtyard. This dynamic space cascades across various levels, fostering the creation of individual community gardens.

Sendero Verde stands as a testament to the fusion of radical architecture and sustainability on a monumental scale. Upon completion, Sendero Verde is poised to redefine architectural boundaries as the world’s largest fully affordable Passive House building.


Quarter of Nations

By Gerber Architekten, Hamburg, Germany

These two new sculptural buildings in Hamberg extend a traditional working class residential area, reinterpreting the original architectural language or the area while simultaneously reconciling them with the high energy efficiency requirements of a passive house building. The resulting complex adds seventy-five publicly funded housing units that vary in size and layout (for single persons, couples and families), thereby extending the principals of the surrounding urban fabric — IBA 2013, an intercultural housing project designed to house over 1,700 people from 30 different nations.


The SIX Veterans Housing

By Brooks + Scarpa Architects, Los Angeles, California

The SIX, a LEED Gold-certified affordable housing project, redefines shelter for previously homeless veterans in McArthur Park. Breaking from traditional layouts, it prioritizes public areas over private space: four levels of housing units surround a courtyard with green-roofed balconies, visually connecting to the street below.

What truly sets The SIX apart, however, is its commitment to Passive House principles, surpassing standard practices for energy efficiency. From solar control and natural ventilation to daylight optimization and low-flow fixtures, every aspect is meticulously planned. This results in a building 50% more efficient than conventional structures.


Ville Verdi

By ALBERT WIMMER ZT-GMBH, Vienna, Austria

Ville Verdi transcends traditional housing, embracing passive house elements to form an eco-friendly haven. Comprising 5 villas with 34 residential units each, the design emphasizes barrier-free accessibility and communal spaces, fostering a sense of community.

The innovative eco-design incorporates a corrugated iron cladding contributes to the three-dimensional shapes while providing for a recyclable and virtually maintenance-free façade. This rear-ventilated façade prevents construction damages and the system can be extended to Passive House standard.


Knickerbocker Commons Passive House Apartment Building

By Chris Benedict R.A., New York City, New York

Designed to operate with an impressive 85 percent less energy than typical New York City apartment buildings, this groundbreaking six-story residential building in Bushwick was the country’s first mid-sized apartment complex adhering to Passive House design standards. Featuring 24 units of affordable housing, each rental residence incorporates individual ventilation systems, small radiators for heating and airtight window air conditioning units, meeting the stringent Passive House criteria. The triple-paned windows and a sculpted exterior facade utilizing STO EIFS insulation optimize energy performance by minimizing heat loss in winter and reducing solar heat gain in summer.

Architizer’s 12th Annual A+Awards are officially underway! Sign up for key program updates and prepare your submission ahead of the Final Entry Deadline on January 26th.  

Reference

A spiraling ramp replaces the need for stairs in this modern office and adds a sculptural element.
CategoriesInterior Design

Instead Of Stairs, A Spiraling Ramp Was Designed For This Office Building

A spiraling ramp replaces the need for stairs in this modern office and adds a sculptural element.

PAULO MERLINI architects has designed the offices of E-GOI & CLAVEL´S KITCHEN in Portugal, and one of the main design features central to the interior is a spiraling ramp.

A spiraling ramp replaces the need for stairs in this modern office and adds a sculptural element.

The former warehouse, which has now been transformed into offices that span multiple floors, includes a ramp that replaces the need for a staircase.

A spiraling ramp replaces the need for stairs in this modern office and adds a sculptural element.

The elegantly curves of the concrete form is accentuated by the use of white bars and edges.

A spiraling ramp replaces the need for stairs in this modern office and adds a sculptural element.
A spiraling ramp replaces the need for stairs in this modern office and adds a sculptural element.

The circling ramp connects the floors of the office and adds a sculptural element that doesn’t block the light from traveling throughout the interior.

A spiraling ramp replaces the need for stairs in this modern office and adds a sculptural element.
A spiraling ramp replaces the need for stairs in this modern office and adds a sculptural element.
A white frame and supports connect the top of a spiraling ramp with the ceiling.

Here’s a glimpse of the ramp looking down from the top floor, and up from the ground.

A spiraling ramp replaces the need for stairs in this modern office.

Let’s take a look at the rest of the office…

The exterior of the office has walls of glass providing a glimpse of the interior for the pedestrians on the street.

The exterior of this modern office has walls of glass providing a glimpse of the interior for the pedestrians on the street.
The exterior of this modern office has walls of glass providing a glimpse of the interior for the pedestrians on the street.

There’s a variety of different seating areas in the office interior, including spaces for casual meetings in house-shaped alcoves.

There's a variety of different seating areas in this modern office interior, including spaces for casual meetings in house-shaped alcoves.

More private work rooms with glass walls that keep the sound in or out.

A modern office interior with a variety of work areas.

A larger meeting room with a blue curtain that’s filled with beanbags and has LED lighting in the ceiling.

A large meeting room with a blue curtain that's filled with beanbags and has LED lighting in the ceiling.

Other more traditional work spaces exist too, with desks that include multiple work stations.

A modern office with floor-to-ceiling windows.

There’s also a photo studio with a minimalist white kitchen with floating wood shelves. Adjacent to the kitchen are tall wood shelves filled with photography props and kitchen equipment.

A modern office has a photo studio with a minimalist white kitchen with floating wood shelves. Adjacent to the kitchen are tall wood shelves filled with photography props and kitchen equipment.
Wood shelves frame a spiraling ramp in the center of this modern office.

When it’s time to take a break from working, there’s a communal area with long wood tables, a kitchenette, seating by the windows, and an outdoor space.

A modern office with a communal break room.
A modern office with seating by the windows that take advantage of the natural light.
A modern office with plants that hang from a metal detail.
Photography by Ivo Tavares Studio | Architecture Office: PAULO MERLINI architects | Main Architects: Paulo Merlini/ André Santos Silva

Womb Chair by Eero Saarinen
CategoriesSustainable News

Egg Chair would not be designed today say Luke Pearson and Tom Lloyd

Concave chairs like Arne Jacobsen’s Egg and Eero Saarinen’s Womb don’t meet today’s definition of good design, according to the founders of design studio Pearson Lloyd.

Luke Pearson and Tom Lloyd said furniture with glued upholstery no longer makes sense because it is too difficult to recycle.

They argue that mid-century designs like the Egg and Womb, which require a large amount of glue to achieve their concave shapes, are no longer appropriate for production.

“People still hold up the Egg chair as an icon of design, even though it’s made of textile glued onto foam and moulded onto metal, making it almost impossible to repair or recycle,” Lloyd told Dezeen.

“Any textile which is a concave surface is not fit for purpose any more,” he said.

Shift to “planet-first approach”

In a joint statement sent exclusively to Dezeen, titled “Why the Egg chair would not be designed today”, the Pearson Lloyd founders said that today’s furniture must embrace the circular economy.

They said the definition of “good design” must now consider environmental impact.

“We are no longer able to judge the quality of a design by aesthetics alone,” they said.

“The value proposition of design is shifting rapidly towards a planet-first approach, and it is leading us to question how we behave and what we make. If a design doesn’t minimise carbon and maximise circularity, is it good?”

Womb Chair by Eero Saarinen
Pearson and Lloyd said the Womb chair doesn’t meet today’s definition of sustainability either. Photo by Brooklyn Museum via Wikimedia Commons

Finnish architect Eero Saarinen developed the Womb chair in 1946. It went into production for furniture brand Knoll two years later.

Danish architect Arne Jacobsen designed the Egg chair, as well as the smaller Swan chair, in 1958 for the interior of the SAS Royal Hotel in Copenhagen. They were marketed by Danish brand Fritz Hansen soon after and have been in continuous production ever since.

“Almost impossible” to recycle

All three designs are produced by glueing leather or textile onto polyurethane foam, then moulding it over a structural frame of metal or fibreglass.

This results in products that are easy to manufacture and highly lightweight, but it also makes them harder to recycle and consequently increases their ecological footprint.

This technology was revolutionary in the mid-20th century, but Pearson and Lloyd believe it has since become defunct, due to “the poor environmental credentials of this material stack”.

“Today we are questioning whether 20th-century technologies are appropriate, to eliminate products that have a short and single carbon lifecycle,” they said.

The pair reject the counterargument that, as design classics, these products often outlive their expected lifespans.

“What about the generations of derivative products whose useful life is so much shorter?” they said. “They have been incinerated or added to landfill.”

Pearson Lloyd now avoids glued textiles

Pearson Lloyd has previously used glued textiles in its own designs. But it now avoids them as much as possible, said the founders.

They instead promote the use of linear or convex shapes, which allow textiles to be held in place with drawstrings rather than glue.

Recent launches such as the CoLab classroom furniture, produced by British brand Senator, demonstrate this approach.

Pearson and Lloyd believe that new technologies such as 3D knitting also offer viable alternatives.

“We are excited by new material innovations such as 3D knitting that are allowing us to explore new design paradigms, new aesthetics and new demountable structures, to reflect the times we live in and our new priorities,” added the duo.

Read the full statement below:


Why the Egg chair would not be designed today

Egg, Swan, Womb: these organic words are resonant of nature. They are also names of some of the most recognisable chairs of the 20th century that reimagined seating in bold forms. This new aesthetic language of complex compound forms was enabled by technological developments in polyurethane foam moulding, glues, and fibreglass. These icons of design have been held up as benchmarks to which designers the world over should aspire.

Today, our definition of good design is changing. We are no longer able to judge the quality of a design by aesthetics alone. The value proposition of design is shifting rapidly towards a planet-first approach, and it is leading us to question how we behave and what we make. If a design doesn’t minimise carbon and maximise circularity is it good?

So a question we have been asking ourselves recently as we have been avoiding glueing textiles: would iconic products like the Swan, Egg and Womb chairs be designed today?

Circular design demands that products can be repaired to extend their life and recycled at end-of-life, so that carbon can be recovered by returning constituent materials to their discrete technical cycles. The vision is that we could use the products and materials in circulation today to cater to our needs in the future, preventing the extraction of raw materials.

Icons such as the Egg, Swan and Womb chair apply textiles to concave padded surfaces for comfort. This requires the textile to be glued onto foam to hold it in place. The foam is then moulded over a structural frame or surface, connecting three materials together in a way that is almost impossible to separate for repair or recycling. The poor environmental credentials of this material stack have led to the Egg aesthetic disappearing from contemporary design.

Now, ironically, in the case of these iconic chairs, their cultural durability means that they are cherished way beyond their normal and expected lifespans and, like classic cars, through careful restoration, they may indeed last forever. But what about the generations of derivative products whose useful life is so much shorter? They have been incinerated or added to landfill.

Today we are questioning whether 20th-century technologies are appropriate, to eliminate products that have a short and single carbon lifecycle. We are excited by new material innovations such as 3D knitting that are allowing us to explore new design paradigms, new aesthetics and new demountable structures, to reflect the times we live in and our new priorities.

Main image is courtesy of Shutterstock.

Reference

Interiors of Casa Villalba de los Barros, designed by Lucas y Hernández-Gil
CategoriesInterior Design

Eight guesthouse interiors designed for peace and escapism

A one-room hotel kitted out with a miniature nightclub and twin dwellings with labyrinthine staircases informed by MC Escher are among the guesthouses featured in our latest lookbook.

Guesthouses are accommodations for travellers, including cabins, rental cottages and private rooms, sometimes located in close proximity to permanent structures such as homes or offices.

Despite their temporary nature, guesthouses can feature distinctive designs created to be remembered for longer than just during their occupants’ stay.

From a bird nest-style retreat in Namibia to a micro dwelling in South Korea, here are eight guesthouses with impactful interiors from across the globe.

This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring gardens with swimming pools, cave-like interiors and striking accent walls.


Interiors of Casa Villalba de los Barros, designed by Lucas y Hernández-Gil
Top image: Trunk House in Tokyo features a miniature nightclub. Above: Photo by José Hevia

La Hermandad de Villalba, Spain, by Lucas y Hernández-Gil

Spanish studio Lucas y Hernández-Gil sought to honour the original architecture of this eighteenth-century building, which was renovated to feature decorative doorways and original arched ceilings.

Nestled in a wine-growing town in Spain’s Extremadura region, the guesthouse takes visual cues from its site, with hues of deep red and pale green that nod to the town’s natural terrain and surrounding vineyards.

Find out more about La Hermandad de Villalba ›


A-frame Cabin Kit by Den Outdoors
Photo is courtesy of Den Outdoors

Den Cabin Kit, USA, by Den Outdoors

Prefabricated in New York, Den Cabin Kit is a flat-packed kit-of-parts for a steeply pitched cabin that is designed to be assembled in a few days.

Cabin-design company Den Outdoors created the structure to cater to a guesthouse, study or yoga studio. Slanted wooden walls and a single triangular window create a cosy atmosphere inside.

Find out more about Den Cabin Kit ›


The Nest at Sossus guest house in Namibia designed by Porky Hefer
Photo is by Katinka Bester

The Nest at Sossus, Namibia, by Porky Hefer

The Nest at Sossus is an off-grid guesthouse in Namibia with a thatched facade informed by the amorphous shape of bird nests.

Thatching also features on the interior, which South African designer Porky Hefer created with bulbous protrusions and built-in furniture to mimic the stacked components of a nest.

Pieces include a sunken Chesterfield-style sofa upholstered in oxblood-coloured leather.

Find out more about The Nest at Sossus ›


Studio 10 designs M.C. Escher-inspired guesthouse in China
Photo is by Chao Zhang

Dream and Maze, China, by Studio 10

Shenzhen-based Studio 10 designed a pair of guest rooms in Guilin, China, which take cues from the optical illusions of the seminal Dutch graphic artist MC Escher.

Called Dream and Maze, the rooms feature colour-coded arched doorways and disorientating anti-gravitational staircases built within a seven-metre-high structure with a pitched roof.

“The challenge was in keeping the balance between the practical need of a hotel suite and the illusionary, spatial effect we wanted to achieve,” the studio told Dezeen.

Find out more about Dream and Maze ›


Alfondac guest apartment by Aixopluc
Photo is by José Hevia

Alfondac, Spain, by Aixopluc 

Catalan studio Aixopluc filled a guest apartment above its offices with modular furniture that can be assembled using DIY techniques.

Named after an Arabic word describing a place for both guests and for storing goods, Alfondac features various exposed appliances and living areas amalgamated into one space.

“This iteration is an exploration of the potential benefits of having different activities and their smells – shit, lavender soap, pee, escudella [a type of Catalan stew], incense, linen sheets after sex, hyacinth flowers, baby’s poo and half-full glasses of Priorat wines – coexist rather than being segregated,” said Aixopluc.

Find out more about this apartment ›


Nuwa guesthouse by Z_Lab
Photo is by Texture on Texture

Nuwa, Korea, by Z_Lab 

Nuwa is a tiny guesthouse in northern Seoul that measures under 30 square metres. Local studio Z_Lab renovated a traditional Korean home, known as a hanok, to create the apartment out of a single room.

A porthole window inserted next to the bed provides views of the surrounding garden, while a sunken bath and walnut and stone accents define the rest of the space.

Find out more about Nuwa ›


Trunk House designed by Trunk Atelier and Tripster
Photo is by Tomooki Kengaku

Trunk House, Japan, by Trunk and Tripster

Hailed by its designers as containing Tokyo’s smallest disco, this one-room hotel in the city’s Kagurazaka neighbourhood features a miniature nightclub with a bright red interior, a curved bar and an illuminated dance floor.

Hotel brand Trunk collaborated with design studio Tripster to create the interiors within a traditional 70-year-old geisha house. Living spaces are characterised by muted palettes, including a tearoom with tatami mats arranged around a sunken fireplace.

Find out more about Trunk House ›


The Olive Houses in Mallorca designed by Mar Plus Ask
Photo is by Piet Albert Goethals

The Olive Houses, Mallorca, by Mar Plus Ask

Architecture studio Mar Plus Ask designed a pair of guesthouses in the Mallorcan mountains to celebrate the craggy boulders that jut through their walls.

The Olive Houses are off-grid dwellings created for solo creatives as a silent refuge. Sloping cave-like walls were rendered exclusively in blush-pink stucco to complement the pale green shade found on the underside of an olive tree leaf.

“To us, the [boulders] became a piece of art – suddenly the house was more about sculpting its backdrop and being its lightbox,” explained the studio.

Find out more about The Olive Houses ›

This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring gardens with swimming pools, cave-like interiors and striking accent walls.

Reference

Blue sofa in Scandi-style interior
CategoriesSustainable News

Takt creates flat-pack sofa that is “designed for repair”

Danish furniture company Takt has launched Spoke Sofa, a sofa that can be fully disassembled and have its parts replaced and recycled, in Copenhagen for 3 Days of Design.

Spoke Sofa, which is the brand’s first sofa, was developed in collaboration with Norwegian studio Anderssen & Voll.

Rooted in circular principles, it aims to provide an alternative to conventional sofas, which are “notoriously wasteful,” according to the brand.

Blue sofa in Scandi-style interior
All elements of the Spoke Sofa can be replaced by hand

The brand intends for the Spoke Sofa to be passed down through generations by undergoing maintenance when required.

Rather than disposing of the entire seat and replacing the sofa, users can take the sofa apart and replace parts of it themselves.

“All of the joints are exposed and mechanical, so simple tools can be used to disassemble the sofa, then you can order a replacement part from our website to repair it yourself,” said the brand.

“Spoke is fully EU Ecolabelled – the official European Union label for environmental excellence – and has been designed for repair, so that all components and upholstery can be replaced with spare parts, extending the life of the sofa indefinitely,” Takt added.

Lilac sofa in Scandi-style interior
The cushions can be upholstered in a choice of seven coloured fabrics

Takt chose to focus on the sofa as a product as they can be difficult to recycle.

“The sofa category is notoriously wasteful, so we always had our eye on it as one to address,” Takt founder and CEO Henrik Taudorf Lorensen told Dezeen.

The Spoke Sofa’s base is made from a choice of responsibly sourced beech or oak grown in Europe.

Its upholstery is deliberately loose-fit, allowing easy removal for cleaning purposes, and was made by textile brand Gabriel from 98 per cent post-consumer recycled polyester.

The material itself is 100 per cent recyclable, the brand said.

“We designed and specified the upholstery to ensure the user could actually take it off, wash it at home at 40C and mount it again – or replace it with a new set if it’s damaged or you want to change the appearance,” Takt said.

Detail of back of sofa with wooden spokes visible
Wooden spokes along the back of the sofa give it its name

The three-seater sofa is topped by lozenge-shaped cushions that can be moved freely to accommodate a range of uses, including socialising, lounging and as a day bed.

The frame itself is characterised by the rhythmically placed tapered spokes that run along the back of the seat.

“Spokes such as these are an age-old means of creating a flat supporting surface and have been a feature of English and Scandinavian utility chairs for centuries,” said Takt.

“Spoke Sofa takes this traditional craft technique and incorporates it into a distinctly contemporary aesthetic expression, foregrounding simplicity, comfort and natural materiality.”

Detail of sofa legs
The sofa was designed to be passed down

The brand hopes that the sofa’s design will give it a longer life.

“We believe that furniture should be loved, cared for and handed down to future generations,” Taudorf Lorensen continued.

“This is why all of our furniture is designed for repair. Our customers become familiar with every component during the surprisingly enjoyable assembly process. So when life happens, they can identify the right part to repair or replace.”

Other recent sustainable furniture designs include outdoor seating with woven seats made from old fire hoses by Local Works Studio and furniture and accessories for a restaurant made from its own food waste by Carolina Härdh.

The photography is by Claudia Vega.

Spoke Sofa is on view at at Original Coffee, Store Kongensgade 124 as part of 3 Days of Design 2023, from 7 June to 9 June 2023. See Dezeen Events Guide for information about the event, plus a list of other architecture and design events taking place around the world.

Reference

Interior image of the Moschino flagship
CategoriesInterior Design

Moschino store in Millan designed to reference the “history of ancient Italy”

Italian studio Andrea Tognon Architecture has collaborated with former Moschino creative director Jeremy Scott to renovate the brand’s flagship store in Milan.

Located on Via della Spiga, one of Milan’s famed shopping streets, the store sits within the 18th-century Palazzo Perusati, which was recently transformed by real estate company Hines into a luxury retail development.

The store was designed by Andrea Tognon Architecture in collaboration with Scott who aimed to recreate and allude to the history of ancient Italy through a minimalist yet ornamental interior scheme.

Interior image of the Moschino flagship
The Moschino Milan store was designed by Andrea Tognon and Jeremy Scott

“I was inspired by the rich history of ancient Italy and the beauty and decadent opulence of its design,” said Scott.

“Sometimes we start to design from memories, sometimes from form, materials and colours,” added Andrea Tognon Architecture founder Andrea Tognon.

“For this project, I started only from words.”

Photo of the interior of the Moschino Milan store
It is located within a recently renovated retail hub

The Milan flagship spans two floors and covers 380 square metres.

Its ground floor is dedicated to the brand’s women’s ready-to-wear collections and accessories, while its first floor is dedicated to its men’s and kid’s collections.

Photo of the Moschino store
Oversized columns and capitals fill the store

Throughout the interior, Andrea Tognon Architecture used rich materials that speak to Moschino’s baroque flair, which was also highlighted through decorative and oversized architectural elements.

A checkered floor constructed from Botticino marble and green stone, sourced from Brazil, covers the ground floor retail area while the above floors were clad in yellow Siena marble.

A vast stone spiral staircase connects the two floors of retail space and forms a continuation of the oversized checkered floor – with the tread and rise of each step similarly clad in green stone and marble.

Patinated brass lighting stretches rhythmically in horizontal rows across the ceiling of the store. Curving tubular display rails line the boundaries of the interior and were constructed in the same brass finish.

Pale pink spiral staircase
Marble and stone cover the floors

Pops of colour were introduced to the interior through bright yellow lacquered wood shelving that flank the walls of the store and follow its curving profile.

Oversized columns and capitals were placed throughout the interior and function as furniture and display areas for the brand’s products and accessories.

Interior photo of the Milan store
It was designed to reference the ancient history of Italy

Also scattered throughout the store are additional custom furniture pieces that were created by Scott in homage to Moschino’s founder Franco Moschino.

These tables combine two tables which were spliced in the middle, joined together and decorated with marble tops and gold leaf ornamentation.

Photo of shelving at the store
Pops of colours were incorporated throughout the store

Last week news broke that Jeremy Scott was leaving Moschino after a decade-long tenure at the Milanese fashion house. In 2020, Scott replaced models at his Spring Summer 2021 show with puppets that wore the brand’s womenswear collection.

Elsewhere in Milan, London design studios Brinkworth and The Wilson Brothers created a caravan-shaped artist studio for Marni’s flagship store in the Italian city.

The photography is by Adriano Mura.

Reference