Office Archives

Pixelated wood interiors Pricefx office by Collcoll in Prague

Thousands of wooden cubes inspired by the computer game Minecraft conceal utilities and create casual seating areas at this office in Prague designed by architecture studio Collcoll.

Having previously designed one floor in the Meteor Centre Office Park for pricing software company Pricefx, Collcoll was tasked with outfitting the floor below as part of the client’s commitment to flexible and creative working practices.

“The management and employees of Pricefx use their offices primarily for meetings that stimulate creative dialogue,” said Collcoll.

“By their very nature, they are an open space for variable use, not subject to the stereotypes of work cubicles or traditional open space.”

Minecraft interiors of Pricefx office by Collcoll in Prague — The wooden feature was informed by the computer game Minecraft

The need to link the two levels presented an opportunity to do something interesting with the circulation and service core at the centre of the floor plan.

Collcoll chose to enclose the staircase with a wooden structure that conceals staff lockers, changing rooms and utility spaces. It also contains a slide that can be used as an alternative to the stairs.

Pixelated wood interiors in Pricefx office by Collcoll in Prague — Collcoll concealed utilities behind the “pixels” and created casual seating areas

“Vertically connecting two floors tends to be problematic if the natural flow of the space is to be maintained,” Collcoll explained.

“The two floors are tectonically connected by a structure composed of thousands of wooden pixels, which modulates the space around it and becomes its internal landmark.”

Pricefx office by Collcoll in Prague — A slide can be used instead of the stairs

The composition of 40-centimetre-wide cubes references the blocky, pixellated world of the video game Minecraft. Its external surfaces form semi-enclosed alcoves and amphitheatres that can be used for informal work and presentations.

The cubes are wrapped in wood veneer that intentionally does not align so the pixels can be arranged in a completely random configuration.

The pixel motif is continued by a lighting grid that covers the entire office ceiling and by a projection screen incorporated into a bar counter that also functions as a reception desk.

The LED light fixtures, which are clearly visible from the street, can be dynamically adjusted to provide optimal lighting during working hours or create a party atmosphere for events.

Wood structure and LED lighting in Pricefx office by Collcoll in Prague — The pixel motif continues into the office’s lighting grid

The entire office floor can operate like an open conference hall containing pockets of dedicated functional space such as the cafe with its professional kitchen, bar counter and informal seating.

A large conference room at one end of the space is equipped with a long table that can seat up to 50 people. The table and the room itself can be divided to form smaller hot-desking spaces or meeting rooms.

Lighting on the wood structure of Pricefx office by Collcoll in Prague — Lighting can be adjusted to create a party atmosphere for events

A sliding acoustic partition enables the space to function as a recording studio, while transparent walls along one side can be turned opaque to provide privacy.

The office has no corridors and instead includes various unprescribed zones and circulation areas containing casual seating or lounges with amenities such as a pool table and a punchbag.

Table and concrete interiors in Pricefx office by Collcoll in Prague — A large conference room integrates with a table for up to 50 people

A range of presentation spaces are scattered throughout the floorplan. These include dedicated conference rooms and tiered amphitheatres with retractable screens.

Collcoll chose a neutral material palette comprising concrete, grey carpet tiles, light-grey plasterboard and black-painted ceilings to lend the office a modern, industrial aesthetic.

“The heavy black-metal tubular furniture corresponds with the concept of technological wiring,” Collcoll suggested.

“In contrast, the ephemeral changing grid of light chips and sensor systems embodies the direction of industrialism towards the world of software and information.”

Pixelated wood in Pricefx office by Collcoll in Prague — The studio added amenities such as a pool table and a punchbag

Collcoll’s name stands for “collaborative collective” and reflects the collaborative approach of its team of architects, designers and researchers.

Other recently completed office interiors featuring wooden structures include a workspace in Edinburgh by Kin and a design office in Melbourne that aims to be zero-waste by using recycled materials.

The photography is by BoysPlayNice.

Reference

Interior Design

Isern Serra completes “serene” office for eyewear brand Gigi Studios

By Zarkon Group,13/03/2024

Sculptural custom-made furniture adds artistic flourishes to this otherwise minimal showroom and head office, designed by Spanish interiors studio Isern Serra for eyewear brand Gigi Studios.

Isern Serra was tasked with creating a holistic scheme for the 900-square-metre headquarters, occupying one floor of a building in the town of Sant Cugat del Vallès just north of Barcelona.

Isern Serra has filled the Gigi Studios headquarters with custom furniture

The brief called for a design that creates a sense of spaciousness and comfort while reflecting founder Patricia Remo’s vision of Gigi Studios as a brand.

“It is also serene, warm and elegant and conceptually close to the idea of a studio and away from the concept of a traditional office, without losing the practicality and functionality,” Isern Serra explained.

Rows of desks were replaced with more intimate work areas

The building’s rectangular floor plan features a central service core housing the lifts and toilets, with the workspaces, meeting rooms, kitchen and showroom occupying the surrounding O-shaped open space.

Serra and his team positioned the kitchen and showroom at one end of the plan and placed the meeting rooms and client areas at the other, leaving the longer sides open to optimise circulation.

Concrete bases for the work tables were cast in situ

Various bespoke furniture pieces, conceived by Isern Serra as “small works of art”, bring a distinct personality to the different formal and informal spaces.

These interventions were designed to embody Gigi Studios’ design ethos while standing out against the warm and minimal backdrop.

“The project aims to experiment with the limits of the workspace and seek a new concept that goes hand in hand with the idea of domus and museum,” Isern Serra explained.

Curtains can be used to cordon off the lounge area

A large circular sofa framed in stainless steel provides a bold statement in one of the reception areas.

The sculptural piece fulfils a dual function as a seating area and a space for working, with tables and book storage integrated into the backrest around the perimeter.

Similarly, the building’s central core is wrapped in a layer of built-in storage units including circular stainless-steel niches that incorporate shelves for displaying books and materials.

Rather than a typical office layout with rows of workstations, the large open spaces are separated into more intimate zones with a more domestic scale.

A Boa Pouf by Sabine Marcelis provides informal seating

Next to the lobby is a design area featuring tables made from concrete that was cast in situ. Task seating surrounds the work table and a taller table is accompanied by stools, while lenses for the different glasses are stored in a custom-made unit.

The second workspace features a large C-shaped sofa with a concrete base that was also cast in situ. Custom-made tables and one of Sabine Marcelis’s Boa Poufs complete this lounge-style space, which can be visually separated from the rest of the office using curtains on either side.

The showroom is visible from the office through a circular window

A circular window with rounded edges provides a glimpse of the showroom, which is dominated by two sculptural tables with concrete tops supported by rough chunks of travertine stone.

A built-in tiered display is used to highlight different Gigi Studios’ eyewear. The rest of the collection is housed in a backlit cabinet, while a mirror-fronted unit conceals a large screen used for presentations.

The kitchen is located next to the showroom so that the two spaces can easily be used together for events. Here, a homely, Mediterranean feel is created via a five-metre-long sharing table, custom-made alongside the accompanying stools.

Display tables in the showroom are held up by rough chunks of travertine

The sizeable kitchen island is finished in micro-cement and features a curved base that enhances its sculptural presence.

A curved corridor incorporating a sofa niche on one wall provides access to offices and a meeting room positioned to have the best views of the surrounding countryside.

Internal columns are used to support one end of concrete tables built in each of the workspaces, furnished with classic designs including Marcel Breuer’s Wassily and Cesca chairs.

Large sharing tables allow for communal eating in the kitchen

Interior designer Isern Serra founded his self-titled studio in Barcelona in 2008 and works across architecture, interiors and industrial design.

Previous projects including a rose-coloured shop for Barcelona’s Moco Museum that was based on a computer-generated image and a minimalist office for digital artist Andrés Reisinger, which was named small workplace interior of the year at the 2023 Dezeen Awards.

The photography is by Salva López with art direction by Aasheen Mittal.

Reference

Workspace in the Gensler LA office with a banquette around a black circular table

Interior Design

Gensler redesigns its own LA office to have “warmth and comfort” of home

By Zarkon Group,02/03/2024

The team at global architecture firm Gensler’s Los Angeles office has redesigned a floor of its workspace with a hospitality approach, as a pilot for the remaining spaces.

The Gensler LA team’s renovated its space to give it more of the “warmth and comfort” that its staff became used to during its time working from home.

The studio’s return to the office post-pandemic came seven years into a 15-year lease of its spaces in Downtown Los Angeles, the firm had converted from an empty bank building in 2011 then expanded to two floors in an adjacent, connected structure.

With a growing workforce and a desire to rethink the layout, functionality and appearance of the office, a group of the studio’s “next generation” of designers and strategists led an effort to redesign the interiors of the third floor.

Open shelving with colourful books displayed — The pilot project incorporates several products from Gensler collaborations, including open shelving and communal tables

“The look and feel of our space, though contemporary, lacked the warmth and comfort of the hospitality touches we integrate for our clients’ workspaces and that we had become accustomed to while working from home,” Gensler senior strategist Sarah Koos told Dezeen.

“Coupled with the changing nature of hybrid work, the space necessitated a transformation that would support a renewed sense of a work-lifestyle.”

Communal table in wood-lined room — A warm aesthetic that captures the essence of Los Angeles was chosen for the interiors

The group spent a year listening and learning from surveys, workshops and feedback sessions in which each of the 500-plus employees was able to have a say about their future work environment.

Many team members had been highly mobile even before hybrid working became popular, so the previous dedicated desk system seemed redundant.

“Working from home for two years effectively rewired peoples’ expectations of their work environments, a sterile, single-use corporate office no longer spoke to the warmth, variety, and comfort they were afforded in their own homes,” said Koos.

Lounge area with comfy seating, plants and a guitar — Plenty of lounge areas with comfy seating were created for employees to use

They therefore set about redesigning the offices with a focus on flexibility, communal work areas and presentation spaces.

“Rather than confine our designers to a desk or a conference room, we developed a kit-of-parts inclusive of typical sit-stand workstations, communal tables, focus pods, booths, material layout islands, and more,” said Gensler senior designer Kirk Bairian.

“Gensler is built on a studio system which is critical to our design culture, and each studio was able to use this kit-of-parts to customise their space to reflect the specific ways in which they work.”

Workspace with glass meeting room, privacy booth and shelving for pin-ups — The team devised a “kit of parts” for the different studios to customise their own workspaces

A warm, hospitality-forward aesthetic that mirrors the “informal but elevated, casual but curated” essence of Los Angeles was chosen.

Materials including maple plywood, blackened metal and subtle textiles provide a backdrop for more colourful additions in the form of ever-changing pin-up display boards, styled shelving, artwork by local students and books from local creative businesses.

Lounge-style furniture and jewel-toned textiles are placed in the co-working areas to evoke a hotel lobby or coffee shop vibe.

Several of Gensler’s furniture and fixture collaborations were also introduced, among them the communal tables and open shelcves from a product line created with Fantoni and custom focus pods from a partnership with Tangram’s Studio Other.

Conference room behind glass wall — Traditional conference rooms are available alongside more flexible spaces for group work

Since the project completed in 2023, the data from badges suggest that employee office attendance has increased by 35 per cent for the studios located in the renovated pilot space, according to the firm.

“Studios in the new space shared that they felt that working in the renovated space made them more productive, enabled more effective collaboration, and overall, greatly improved their in-office experience,” the team added.

Wood-lined workspace with private booths and open Zoom areas — Maple plywood and blackened metal were among the materials chosen to give the space more of a hospitality feel

Gensler is the world’s largest architecture firm and has locations 53 locations globally. Its European head offices in Wapping, London, was longlisted in the business building category of Dezeen Awards 2020.

In 2022, co-CEO Andy Cohen told Dezeen in an exclusive interview that architecture should abandon “top-down” management to improve working conditions.

Reference

A spiraling ramp replaces the need for stairs in this modern office and adds a sculptural element.

Interior Design

Instead Of Stairs, A Spiraling Ramp Was Designed For This Office Building

By Zarkon Group,27/02/2024

PAULO MERLINI architects has designed the offices of E-GOI & CLAVEL´S KITCHEN in Portugal, and one of the main design features central to the interior is a spiraling ramp.

The former warehouse, which has now been transformed into offices that span multiple floors, includes a ramp that replaces the need for a staircase.

The elegantly curves of the concrete form is accentuated by the use of white bars and edges.

The circling ramp connects the floors of the office and adds a sculptural element that doesn’t block the light from traveling throughout the interior.

A white frame and supports connect the top of a spiraling ramp with the ceiling.

Here’s a glimpse of the ramp looking down from the top floor, and up from the ground.

A spiraling ramp replaces the need for stairs in this modern office.

Let’s take a look at the rest of the office…

The exterior of the office has walls of glass providing a glimpse of the interior for the pedestrians on the street.

The exterior of this modern office has walls of glass providing a glimpse of the interior for the pedestrians on the street.

There’s a variety of different seating areas in the office interior, including spaces for casual meetings in house-shaped alcoves.

There's a variety of different seating areas in this modern office interior, including spaces for casual meetings in house-shaped alcoves.

More private work rooms with glass walls that keep the sound in or out.

A modern office interior with a variety of work areas.

A larger meeting room with a blue curtain that’s filled with beanbags and has LED lighting in the ceiling.

A large meeting room with a blue curtain that's filled with beanbags and has LED lighting in the ceiling.

Other more traditional work spaces exist too, with desks that include multiple work stations.

A modern office with floor-to-ceiling windows.

There’s also a photo studio with a minimalist white kitchen with floating wood shelves. Adjacent to the kitchen are tall wood shelves filled with photography props and kitchen equipment.

A modern office has a photo studio with a minimalist white kitchen with floating wood shelves. Adjacent to the kitchen are tall wood shelves filled with photography props and kitchen equipment.

Wood shelves frame a spiraling ramp in the center of this modern office.

When it’s time to take a break from working, there’s a communal area with long wood tables, a kitchenette, seating by the windows, and an outdoor space.

A modern office with a communal break room.

A modern office with seating by the windows that take advantage of the natural light.

A modern office with plants that hang from a metal detail.

Photography by Ivo Tavares Studio | Architecture Office: PAULO MERLINI architects | Main Architects: Paulo Merlini/ André Santos Silva

Instead Of Stairs, A Spiraling Ramp Was Designed For This Office Building

Elevation view of Cornerstone by AHMM in London

Interior Design

AHMM to transform office into co-living space next to Barbican estate

By Zarkon Group,26/02/2024

Developer HUB and investor Bridges Fund Management have revealed plans to convert a 1950s office building in London into Cornerstone, a co-living residential scheme designed by Allford Hall Monaghan Morris.

Located on the edge of the Barbican estate, the Cornerstone project will draw from the iconic Barbican architecture to transform 45 Beech Street into 174 co-living residences along with street-level commercial spaces and amenities.

“Building on the success of our previous London projects with HUB, we are joining forces again to transform an underloved office building in the heart of the city,” Allford Hall Monaghan Morris (AHMM) director Hazel Joseph said.

AHMM’s proposal aims to re-use as much of the building’s existing structure and facade as possible, taking a “retrofit-first approach” to minimise the need for new building works.

The studio will also primarily work within the geometric parameters defined by the original envelope, while updating the rectilinear language to create uniform apertures for each co-living apartment.

Referencing the Barbican estate, a series of arched, double-height extrusions will be introduced across the crown of the building to house additional co-living apartments.

Barbican context and facade of Cornerstone by AHMM in London — The design will adapt the existing building’s form and insert a series of arched spaces at the top

“The architectural approach has been carefully considered, responding sensitively to the much-loved Barbican context, completing the northern frontage of the estate,” Joseph said.

The arches will be partially set back from the building’s facade and lined with an asymmetric patchwork of glazed and tile panels underneath the curved overhangs.

At street level, warm red panel accents will contrast against the building’s neutral concrete finishes to highlight commercial and collective functions.

The scheme will integrate a public cafe, a co-working space and community-focused amenities at its lower levels to improve the public realm for those who live and work in the area.

“The existing structure of 45 Beech Street will be re-used and extended, creating a new residential community with shared amenities and breathing new life into the local streetscape,” Joseph explained.

street level activation of Cornerstone by AHMM in London — At street level, new commercial and public amenities will seek to activate the ground plane

According to HUB and Bridges Fund Management, AHMM’s proposal was developed in collaboration with the community – including Barbican residents – who were consulted through a series of workshops and events.

A website was also established to solicit viewpoints about the redevelopment, reiterating the design vision to establish a “vibrant community” that will adapt the original building and holistically contribute to the neighbourhood.

AHMM was established in 1989 by Simon Allford, Jonathan Hall, Paul Monaghan and Peter Morris in London. The studio has previously converted a 1930s block into New Scotland Yard’s headquarters in London and completed a mixed-use building in Southwark with interlocking flats.

Also adjacent to the Barbican estate, Diller Scofidio & Renfro’s proposal for a pyramidal music centre was recently scrapped when the City of London Corporation revealed its plans for a “major renewal” of the Barbican.

The images are courtesy of HUB and Bridges Fund Management.

Reference

Interior Design

Oskar Kohnen fills London office with mid-century modern furniture

By Zarkon Group,01/02/2024

London studio Oskar Kohnen has outfitted a Mayfair office with mid-century modern furniture and contemporary pieces, which “are so well curated that no one would ever dare to throw them away”.

Spread across three floors, the office is housed within a rectilinear building in London’s Mayfair neighbourhood with a gridded facade.

“It has a townhouse feeling,” studio founder Oskar Kohnen told Dezeen of the office, which he designed for developer Crosstree Real Estate.

At its ground level, Kohnen clad the entrance hall with dark-stained wooden panels and added sconce lights to subtly illuminate the space.

Djinn sofa by Oliver Mourge — A cream Djinn sofa was placed in the entrance hall

An amorphous Djinn sofa, created by industrial designer Olivier Mourge in 1965, was placed in one corner.

“We worked a lot with vintage furniture, and as for the new pieces we sourced, we hope they are so well curated that no one would ever dare to throw them away,” said Kohnen.

Living room-style space with an L-shaped sofa — The first floor features a living room-style space

“Warm and inviting” interiors characterise a living room-style space on the first floor, which was created in direct contrast to the industrial appearance of the exterior.

An L-shaped velvet and stainless-steel sofa finished in a burnt orange hue was positioned next to white-stained brise soleil screens and a bright resin coffee table.

Kitchen with terrazzo worktops — Terrazzo accents were chosen for the kitchen

“The social spaces have an earthy and calm colour palette – yet they are lush and dramatic,” explained Kohnen.

A pair of low-slung 1955 Lina armchairs by architect Gianfranco Frattini also features in this space, while floor-to-ceiling glazing opens onto a residential-style terrace punctuated by potted plants.

Bright gridded ceiling in a meeting room — Oskar Kohnen added a bright gridded ceiling to one of the meeting rooms

Similar tones and textures were used to dress the rest of the rooms on this level.

These spaces include a kitchen with contemporary terrazzo worktops and a meeting room with a red gridded ceiling that was set against cream-coloured panels and modernist black chairs.

The second floor holds the main office, complete with rows of timber desks and an additional meeting room-library space characterised by the same reddish hues as the low-lit entrance hall.

“The idea was to create an office space that had soul to it and would offer a more personal take on a work environment, rather than the usual corporate spaces we are so familiar with in London,” Kohen concluded.

Desks within the main office area — The second floor holds the main office

Founded in 2011, Kohnen’s eponymous studio has completed a range of interior projects, including a mint-green eyewear store in Berlin and a pink-tinged paint shop in southwest London.

The photography is by Salva Lopez.

Reference

The exterior of a small, modern grocery store

Interior Design

Side Angle Side transforms Austin post office into restaurant

By Zarkon Group,19/01/2024

Texas architecture studio Side Angle Side has adapted a 1960s post office into a food market and restaurant in Austin.

Opened in October 2023 in the Hyde Park area, Tiny Grocer serves as a speciality market, bar and cafe while Bureau de Poste is a modern French bistro led by celebrity chef Jo Chan.

Austin-based commercial and residential architecture firm Side Angle Side renovated the 3,500-square foot (325-square metre) 1967 US Post Office building and added a 1,500-square foot (140-square metre) outdoor dining patio.

“The Hyde Park U.S. Post Office was an important neighborhood hub in the 1960s – so we were especially careful to keep the integrity and spirit of the mid-century-utilitarian design,” Arthur Furman, founding partner of Side Angle Side, told Dezeen.

A grocery market with green shelving — The team sought to preserve the building’s history as a community hub

“As the anchor tenant in the space, Tiny Grocer continues to be the centre of the community, a place to gather, shop, eat and drink.”

The shell of the white brick building was left intact, but the street-facing facade was previously used as a loading dock so the team transformed the back-of-house edge into a welcoming patio for the neighbourhood by removing the asphalt and adding two large live oak trees and a steel trellis and planters.

A bar in a grocery and market — The exterior of the building was kept intact

A cast-in-place concrete banquette holds the edge of the patio that is paved with antique red brick.

The steel planter forms a boundary between the parking area and the dining space, while the other edge is held by a light grey-coloured stucco restroom building. White metal furniture from Isimar and Portofino was used to furnish the patio.

“The patio and wine garden is the real heart of the project,” the team said, mentioning that it wasn’t within the original scope of the project but added later when its larger value was realized. “This is where all the care and thought of the interior spills to the outside, creating a lively environment.”

Wooden tables in front of a black framed window — The renovated building has exposed concrete floors from the original building

On the interior, Side Angle Side complemented the original ceiling and open web joists with metal decking and industrial warehouse pendants by AQ Lighting. The polished concrete floors expose the weathered imperfections and show the history of the building.

Upon entering, shoppers take in the colourful selection of curated products displayed on white oak mercantile shelving. Green millwork hugs one wall and the space widens to an open interior plan.

A patio with white metal seating and plants — A patio and wine garden is at the heart of the project

A central deli and coffee bar floats in the middle of the room and creates a transition from the market to the bistro. The bar is wrapped in Seneca terracotta tile and topped with grey and white quartz countertops. Wooden Soule barstools are tucked under the waterfall counter.

The back-of-house spaces hold a kitchen office, storage, and bar equipment.

“Working closely with the owner, design finishes hint at the building’s midcentury past,” the team said, referencing the custom, built-in leather banquette by Undercover Austin Upholstery that lines the bistro’s back wall.

Above the banquette and Second Chance Custom wooden dining tables hang black cone light pendants by All Modern.

A patio with white metal seating — The patio features brick flooring and white metal furniture

“The single biggest sustainable feature of this project is one that is often overlooked,” the team said, noting the adaptation of the structure. “The ‘loose fit, long life’ style of these old buildings leads to more reuse and far less waste.”

Recent adaptive reuse projects in Austin include a 1900s house converted to a luxury office by Michael Hsu and commercial units converted to an architecture studio by Baldridge Architects.

The photography is by Likeness Studio and Mackenzie Smith Kelly.

Project credits:

Structural engineer: Creative Engineering
MEP engineer: ATS Engineers
Builder: Archive Properties
Commercial interior design: Side Angle Side
Architects: Side Angle Side
Building shell: Thought Barn Studio
Landscape design: Side Angle Side & Wild Heart Dirt
Owner: Steph Steele

Reference

Architecture

undulating canopy by new office works shelters waterfront promenade in hong kong

By Zarkon Group,22/12/2023

New Office Works’ canopy uplifts Cheung Sha Wan Promenade

New Office Works has introduced an undulating canopy to the Cheung Sha Wan waterfront promenade in Hong Kong. The structure is intended to offer shade and protection, resembling the aggregation of docked boats commonly seen along the harborfront. Positioned amidst a mix of older and newer developments on the west side of the Kowloon Peninsula, it links residential and commercial zones to the northwest with a wholesale food market to the southeast. As a part of a broader waterfront upgrade, it establishes connections between the pier and promenade and the city through three main pathways: an open-air route leading to the MTR station, a pathway through the neighboring hotel’s central courtyard, and a more secluded path next to the residential complex.

all images by Rory Gardiner

a Design taking its cues from Waterfront Heritage

The design of the canopy draws inspiration from the site’s history, particularly the active cargo offloading and the docking of boats around the pier. Divided into five shifting strips, the canopy allows for varied spatial experiences and promotes natural ventilation through well-placed voids. During the day, sunlight filters through the shelter, creating interesting light and shadow effects. At night, the interior lighting gives it a distinct profile floating above the water.

The canopy is built using a steel framework consisting of cylindrical columns and curved beams. Its highest section is positioned centrally, gradually declining in height on both sides. To avoid duplicating columns along the roof’s edge, the lower roof is hung from the higher one by a system of suspension rods. The upper roof is covered with a standing seam roof featuring grooves that accentuate its curved shape, while satin aluminum panels form the reflective ceiling below, mirroring the rippling water’s surface.

the canopy is inspired by docked boats and historic cargo activity

the design allows natural ventilation and light play

the steel framework is made with cylindrical columns and curved beams

Reference

Interior Design

Michael Hsu Office of Architecture utilises soft shapes for Austin high-rise

By Zarkon Group,09/12/2023

Texas studio Michael Hsu Office of Architecture has designed the common areas for a 50-storey residential high-rise building in Austin, as shown in this exclusive video captured by Dezeen.

Called 44 East, the building is located east of downtown Austin in the Rainey Street Historic district. The firm designed the interiors of the building’s common areas, which take cues from its natural surroundings, particularly the neighbouring Colorado River.

Michael Hsu Office of Architecture has designed the interiors of 44 East

The practice enhanced the space using colour and texture, layering vintage and custom furnishings to create a relaxed and inviting ambience.

Curved surfaces and light colours are incorporated throughout the space, with poured concrete terrazzo floors incorporated to pay homage to the gravel of the nearby riverside trail.

The interior is characterised by the use of soft shapes and natural materials throughout the various spaces, including on the eleventh floor, where pastel hues complement subtle architectural details.

The outdoor swimming pool features a series of pebble-shaped islands, with a partially-covered patio inviting guests to relax outside and enjoy the views of the river.

Swimming pool area of 44 East — The eleventh floor features a circular outdoor swimming pool

On the thirty-seventh floor, a large moon-like pendant light is suspended above a plush circular sofa.

The higher vantage point offers scenic views of downtown Austin, and features jewel tones and darker materials intended to complement the Texas skyline at dusk.

37th floor of 44 East — The thirty-seventh floor features darker tones to complement views of the Texas skyline

44 East was developed by Intracorp, while the tower and unit interiors were designed by Page and landscapes designed by DWG.

The interior design of the common spaces is one of the latest projects by Michael Hsu Office of Architecture, which is based in Austin and Houston.

The company recently completed its self-designed Austin studio, which is adorned in wood-and-fabric lined walls and industrial details, to accommodate its growing team.

The photography is by Chase Daniel.

Partnership content

This video was produced by Dezeen for Michael Hsu Office of Architecture as part of a partnership. Find out more about Dezeen partnership content here.

Reference

Photo of a woman sitting within a forest green-coloured single-person office pod working at a laptop. The pod sits within a modern office space surrounded by open workstations

Interior Design

Framery predicts focus spaces to be key office design trend of 2024

By Zarkon Group,24/11/2023

Promotion: the need for well-considered focus spaces will come to the fore in workplace design in 2024, driven by the uptake of artificial intelligence, according to office pod brand Framery.

Framery says that the increase in AI in the workplace will result in it taking more responsibility for mundane, repetitive tasks, resulting in the need for additional focus spaces in open-plan offices to help support employees’ deep and focused tasks.

“If it happens how it’s expected and AI takes more responsibility for repetitive tasks, the office design should reflect this development and support deep, focused work,” said Tomi Nokelainen, head of Framery Labs, the company’s research and innovation unit.

According to Framery, while post-pandemic hybrid office design placed an emphasis on the creation of collaborative spaces and “flashy common areas embodying organisational culture”, the next phase of this evolution will centre on creating areas that minimise distraction and allow for focused work.

“It’s noteworthy that employees value focused working spaces beyond collaborative spaces,” said Nokelainen. “With work complexity on the rise, there is a heightened demand for both acoustic and visual privacy.”

The company points to the findings of research company Leesman, which has reported that workers are still choosing to stay at home for solitary work. Leeman’s research suggested that some working activities were “better supported at home” including individual-focused work and planned meetings.

However, Framery says that when employees have the option to work from home, that may not be sufficient to fulfil their productivity needs.

“It can’t be assumed that all employees have the luxury of a dedicated home office room, or are willing to invest in expensive desks or ergonomic chairs,” said Nokelainen.

Photo of a woman working at a laptop within a closed office pod that has two transparent and two solid walls. The pod is located within a breakout space with more casual, open table seating — Office workers value focus areas more than collaborative spaces, Framery research finds

Framery, a Finnish brand, was one of the first to enter the office pods space in 2010, creating soundproof booths that drown out external distractions so that employees can undertake focused work or conduct video conferencing calls.

According to Framery Labs’ research, focus spaces are the number one desired perk for employees that would draw them into working in the office rather than at home and they address distractions to focused work, for example, noise.

Only 33 per cent of employees report finding noise levels satisfactory in their workplace and dissatisfaction with noise has the strongest correlation to an employee saying that the design of their workplace does not support their personal productivity.

Photo or rendering of a modern, busy office incorporating several single-person work pods where people are working on their laptops in peace — The pods are soundproof so external noise is not a distraction

This can be especially consequential for neurodiverse people, who constitute around 15 to 20 per cent of the global population and who can have a greater sensitivity to sensory stimuli, according to the brand.

With workplaces becoming more inclusive, the next step will be to design them to function as “a catalyst not a barrier to productivity”, said Nokelainen, with a recognition that different people have different needs.

“There are no one-size-fits-all focus spaces – they can be everything from silent open areas, library-like spaces, private offices or pods,” said Nokelainen. “Each role and industry has their own special needs that must be taken into account.”

Photo or rendering of a forest green Framery One office pod within a contemporary office, placed within an otherwise open breakout space with cafe-style tables and chairs — The Framery One pod is Framery’s bestselling product

These considerations can be addressed with products like the Framery One, Framery’s bestselling office pod. A single-person workstation for focused work that is also optimised for virtual meetings, it includes soft lighting and adjustable ventilation to help create a personalised environment.

In a closed pod like this, neurodiverse people can apply “sensory integration techniques”, said Nokelainen which means incorporating the sensory tools or approaches that promote calm and focus for them.

There are also multi-person pods like the Framery Q Flow, one of the newest models. It is designed to help enable workers to achieve the “flow” state of mind, where work feels effortless and time switches off, and includes a height-adjustable electric table so that users can shift positions without interrupting their thought process.

The office pods come with Framery Connect, an integrated workplace management tool that supplies detailed data and analysis around how often and when they’re being used.

Photo of a man using the Framery One pod in an office while two women collaborate on a table outside — The pods include the Framery Connect workplace management system

Framery says it prides itself on the quality of its soundproof office pods, as well as having been among the first to bring the product category to the market. The company launched 13 years ago after its founder – Samu Hällfors – devised a solution to address the distraction caused by his boss’s loud phone calls.

“Our founder and CEO Samu Hällfors invented the office pod category in 2010,” said Framery. “Now we have over 200 competitors globally. To ensure we stay the market leader we are relentlessly innovating to engineer the most advanced pod in the world.”

Framery also has a sustainable and responsible ethos and has made a commitment to converting to a circular business model.

To find out more about Framery and its products, visit the brand’s website.

Partnership content

This article was written by Dezeen for Framery as part of a partnership. Find out more about Dezeen partnership content here.

Reference

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